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small for him to save anything, and so the poor widow was left without a franc. Of course, they must give her a benefit concert. M. Urso heard of it, and on talking it over with Felix Simon they decided to prepare Camilla to take part in the charity concert for the benefit of the widow of the Bassoon. So it happened that she took up the "_air varie_" as her first piece. It takes a long time to do anything in Europe. Here we would decide to give a concert, advertise it, and hire the hall all in the same day, and have it all over within a week. In Nantes it took six weeks to arrange everything, see who would offer to play, and to properly announce the event. This slow and deliberate way of doing things was an advantage to Camilla as it gave her plenty of time to study the piece and to commit it to memory past forgetting. They collected a grand orchestra. Mdlle. Masson, who was quite a fine artist volunteered to sing, and the little Camilla would play the famous "_Seventh air varie_" from De Beriot. The excitement was tremendous. Everybody wanted to go. The Italian opera company, the French opera company, the dramatic company, all the grand families, every musician in town, bought tickets. There was not a seat or standing place in the Hotel de Ville to be had, and the Bassoon's widow received a most remarkable benefit. All the friends of the Urso family were there to encourage the child, and all her father's enemies were on hand ready to laugh at her failure. She was expected to fail. She might be able to struggle through the piece without really breaking down, but of course she would stand awkwardly, handle her bow like a stick, and do everything else that was bad and inelegant. They might assert that she would play like an artist--she could not do it. And so they waited to see Salvatore Urso's silly experiment come to a wretched end. How amiable in them! We can forgive them. There was nothing else to talk about in Nantes, and it was certainly a very bold thing to bring out the six year old girl in this public manner. She must be a truly wonderful child, or her father and teacher had quite lost their heads. The concert began and went on very much as concerts do everywhere. The orchestra played and the artists sang, and then there was a little rustle and hush of expectation as they brought in a box or platform for the child to stand upon so that all could see her. The piano was rolled out into a convenient plac
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