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peculiarities of versification, if no more. With Coleridge's playful love of satirising himself anonymously, the continuation might even be his own. Rossetti said: I do not understand your early idea of _eyes_ in the bosom of Geraldine. It is described as "that bosom old," "that bosom cold," which seems to show that its withered character as combined with Geraldine's youth, was what shocked and warned Christabel. The first edition says-- A sight to dream of, not to tell:-- And she is to sleep with Christabel! I dare say Coleridge altered this, because an idea arose, which I actually heard to have been reported as Coleridge's real intention by a member of contemporary circles (P. G. Patmore, father of Coventry P. who conveyed the report to me)--viz., that Geraldine was to turn out to be a man!! I believe myself that the conclusion as given by Gillman from Coleridge's account to him is correct enough, only not picturesquely worded. It does not seem a bad conclusion by any means, though it would require fine treatment to make it seem a really good one. Of course the first part is so immeasurably beyond the second, that one feels Chas. Lamb's view was right, and it should have been abandoned at that point. The passage on sundered friendship is one of the masterpieces of the language, but no doubt was written quite separately and then fitted into _Christabel_. The two lines about Roland and Sir Leoline are simply an intrusion and an outrage. I cannot say that I like the conclusion nearly so well as this. It hints at infinite beauty, but somehow remains a sort of cobweb. The conception, and partly the execution, of the passage in which Christabel repeats by fascination the serpent-glance of Geraldine, is magnificent; but that is the only good narrative passage in part two. The rest seems to have reached a fatal facility of jingling, at the heels whereof followed Scott. There are, I believe, many continuations of _Christabel_. Tupper did one! I myself saw a continuation in childhood, long before I saw the original, and was all agog to see it for years. Our household was all of Italian, not English environment, and it was only when I went to school later that I began to ransack bookstalls. The continuation in question was by one Eliza Stewart, and appear
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