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To make the Market Street building possible Rutgers gave a large sum,
and he named the trustees "under whose superintendence" the building
was to be erected. They were a noble group:
Rev. Philip Milledoler, D.D.; Rev. James M. Matthews, Peter Wilson,
LL.D.; Isaac Heyer, Matthias Bruen, Peter Sharpe and William B. Crosby.
Dr. Milledoler was one of the great men of the time. He was born in
Rhinebeck, September 22, 1775, and educated in Edinburgh. He was one of
the founders of the American Bible Society, and Secretary of the Board
of Trustees of the Presbyterian Church. In November, 1803, he became
colleague pastor of the First Collegiate church, and in April, 1809, on
division by Presbytery, sole pastor of the Rutgers Presbyterian church.
He remained here until 1813, when he entered the Reformed Church. He was
president of Rutgers College from 1823 to 1841.
Rev. James Macfarlane Matthews was professor "in the first theological
seminary of which New York could boast." It was considered Scotch
Presbyterian.
[Illustration: Philip Milledoler]
Dr. Peter Wilson was professor of languages in the university, as was
also Isaac Heyer.
Matthias Bruen was "one of the merchant princes of New York."
Peter Sharpe was a "whip manufacturer" and William B. Crosby is listed
as "gentleman."
[Illustration: North Dutch Church]
Nothing is known of the architect or builder, tho they were probably the
same, as was the fashion of the time. The building was required by the
deed "to be of brick or stone materials, and the whole building of a
size not less than that of the Presbyterian church in Rutgers Street."
A hundred years have proven the substantial character of the Market
Street church. The men of that day did their work well. Whether it was a
simplified copy of the North Dutch church or not is not known. It looks
much like it, tho the tower is simpler and the two rows of windows in the
Fulton Street building become one row of great windows on Henry Street.
But it has all stood the test of time. The old hand-hewn oak timbers
still span the lofty ceiling, the glistening gray stone walls still
stand four-square against all the winds that blow. The hand-made hinges
and numbers are still on the pew doors, and the so-called slave
galleries are still there, tho neither colored servants nor Sunday
school children are consigned to them now. Hidden away, but still there
are the hand-made laths, the shingles under the t
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