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vent him helping the poor people to escape, and then we used to have to go and live in another country until he was found out again; and then at last he got ill and came to live in England, and could only write books and have the poor prisoners to stay here and get strong and well again; and other people had to help them to get away from Siberia and from prison." "It sounds like a story out of a book," said Tom. "What a rich man your father must have been," said Norah. "It must be very nice to have lots of money, and be able to help people." "It wasn't all papa's own money," said Una. "Papa belonged to what he called a society, and that society used to give him money to give to the poor people. Someone in that society has found homes for Ivan and Peter, our old servants, you know, who used to live here. It is very nice that Marie is going to live with me always," added the little girl. Norah drew a long breath. "So that was your father's secret, Una?" she said. "It's a very nice one." "Papa would have helped the poor Russian people somehow," said Una, with a wise little nod of her head, "even if he hadn't had any money. Papa said once that everybody ought to try and help other people somehow." The children walked back across the fields and through the woods--not talking much, but thinking of all that Una had told them--until they came to the gap in the fence and saw that it had been boarded up. "Oh, Una, look!" cried Tom. "We shan't have any more picnics," said Norah dolefully. Dan leant out of his small carriage and put his hand into Una's with a happy little laugh. "I don't mind a bit about the gap," he said. "We've got Una on this side of it now." THE END. [Illustration: Back cover art] End of Project Gutenberg's The Gap in the Fence, by Frederica J. Turle *** END OF THIS PROJECT GUTENBERG EBOOK THE GAP IN THE FENCE *** ***** This file should be named 21547.txt or 21547.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/1/5/4/21547/ Produced by Al Haines Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright roy
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