fic recognition at
their hands.

Barclay evidently delighted in his pen. From the time of his return from
the Continent, it was seldom out of his hand. Idleness was distasteful to
him. He petitions his critics if they be "wyse men and cunnynge," that:--

"They shall my youth pardone, and vnchraftynes
Whiche onely translate, to eschewe ydelnes."

Assuredly a much more laudable way of employing leisure then than now,
unless the translator prudently stop short of print. The modesty and
singleness of aim of the man are strikingly illustrated by his thus
devoting his time and talents, not to original work as he was well able to
have done had he been desirous only of glorifying his own name, but to the
translation and adaptation or, better, "Englishing" of such foreign authors
as he deemed would exercise a wholesome and profitable influence upon his
countrymen. Such work, however, moulded in his skilful hands, became all
but original, little being left of his author but the idea. Neither the
Ship of Fools, nor the Eclogues retain perceptible traces of a foreign
source, and were it not that they honestly bear their authorship on their
fore-front, they might be regarded as thoroughly, even characteristically,
English productions.

The first known work from Barclay's pen[3] appeared from the press of De
Worde, so early as 1506, probably immediately on his return from abroad,
and was no doubt the fruit of continental leisure. It is a translation, in
seven line stanzas, of the popular French poet Pierre Gringore's Le Chateau
de labour (1499)--the most ancient work of Gringore with date, and perhaps
his best--under the title of "The Castell of laboure wherein is richesse,
vertu, and honour;" in which in a fanciful allegory of some length, a
somewhat wearisome Lady Reason overcomes despair, poverty and other such
evils attendant upon the fortunes of a poor man lately married, the moral
being to show:--

"That idleness, mother of all adversity,
Her subjects bringeth to extreme poverty."

The general appreciation of this first essay is evidenced by the issue of a
second edition from the press of Pynson a few years after the appearance of
the first.

Encouraged by the favourable reception accorded to the first effort of his
muse, Barclay, on his retirement to the ease and leisure of the College of
St Mary Otery, set to work on the "Ship of Fools," acquaintance with which
Europe-famous satire he must have made when abroad.