at all events, a little more
particular consideration before we address ourselves to the short
narration which may be deemed necessary as an introduction to the
republication which follows.

Of the first of the number, Reginald or Reynold Scot, it is to be
regretted that more particulars are not known. Nearly the whole are
contained in the following information afforded by Anthony a Wood,
_Athenae._, vol. i. p. 297; from which it appears that he took to
"solid reading" at a crisis of life when it is generally thrown aside.
"Reynolde Scot, a younger son of Sir John Scot, of Scot's Hall, near
to Smeeth, in Kent, by his wife, daughter of Reynolde Pimp, of Pimp's
Court, Knight, was born in that county, and at about 17 years of age
was sent to Oxon, particularly as it seems to Hart Hall, where several
of his countrymen and name studied in the latter end of K. Henry
VIII. and the reign of Edward VI., &c. Afterwards he retired to his
native country, without the honour of a Degree, and settled at Smeeth,
where he found great encouragement in his studies from his kinsman,
Sir Thomas Scot. _About which time, taking to him a wife, he gave
himself up solely to solid reading_, to the perusing of obscure
authors that had, by the generality of scholars, been neglected, and
at times of leisure to husbandry and gardening. He died in September
or October in 1599, and was buried among his ancestors, in the church
at Smeeth before mentioned." Retired as his life and obscure as his
death might be, he is one whose name will be remembered as long as
vigorous sense, flowing from the "wells of English undefiled," hearty
and radiant humour, and sterling patriotism, are considered as
deserving of commemoration. His _Discoverie of Witchcraft_, first
published in 1584, is indeed a treat to him who wishes to study the
idioms, manners, opinions, and superstitions of the reign of
Elizabeth. Its entire title deserves to be given:--

"_The discouerie of witchcraft, wherein the lewde dealing of witches
and witchmongers is notablie detected, the knauerie of coniurors, the
impietie of inchantors, the follie of soothsaiers, the impudent
falshood of cousenors, the infidelitie of atheists, the pestilent
practises of Pythonists, the curiositie of figurecasters, the vanitie
of dreamers, the beggerlie art of Alcumystrie, the abhomination of
idolatrie, the horrible art of poisoning, the vertue and power of
naturall magike, and all the conueiances of Legierdema