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at a council was held not by the whole clergy of Ceylon but by the monks of the Mahavihara at which they committed to writing their own version of the canon including the Parivara. This book forms an appendix to the Vinaya Pitaka and in some verses printed at the conclusion is said to be the work of one Dipa. It is generally accepted as a relatively late production, composed in Ceylon. If such a work was included in the canon of the Mahavihara, we must admit the possibility that other portions of it may be Sinhalese and not Indian. But still the _onus probandi_ lies with those who maintain the Sinhalese origin of any part of the Pali Canon and two strong arguments support the Indian origin of the major part. First, many suttas not only show an intimate knowledge of ancient Indian customs but discuss topics such as caste, sacrifice, ancient heresies, and the value of the Veda which would be of no interest to Sinhalese. Secondly, there is no Sinhalese local colour and no Sinhalese legends have been introduced. Contrast with this the Dipa-and Maha-vamsa both of which open with accounts of mythical visits paid by the Buddha to Ceylon[637]. In Ceylon versions of the scriptures other than that of the Mahavihara were current until the twelfth century when uniformity was enforced by Parakrama Bahu. Some of these, for instance the Pitaka of the Vetulyakas, were decidedly heretical according to the standard of local orthodoxy but others probably presented variations of reading and arrangement rather than of doctrine. Anesaki[638] has compared with the received Pali text a portion of the Samyuktagama translated by Gunabhadra into Chinese. He thinks that the original was the text used by the Abhayagiri monastery and brought to China by Fa Hsien. The Sinhalese ecclesiastical history, Nikaya-Sangrahawa, relates[639] that 235 years after the Buddha's death nine heretical fraternities were formed who proceeded to compose scriptures of their own such as the Varnapitaka and Angulimala-Pitaka. Though this treatise is late (_c_. 1400 A.D.) its statements merit attention as showing that even in orthodox Ceylon tradition regarded the authorized Pitaka as one of several versions. But many of the works mentioned sound like late tantric texts rather than compositions of the early heretics to whom they are attributed. Ecclesiastical opinion in Ceylon after centuries of discussion ended by accepting the edition of the Mahavihara as the bes
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