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ed an original and spiritual art, for Indian art, more than any other, is the direct product of religion and not merely inspired by it. In ages when original talent is rare this close relation has disadvantages for it tends to make all art symbolic and conventional. An artist must not represent a deity in the way that he thinks most effective: the proportions, attitude and ornaments are all prescribed, not because they suit a picture or statue but because they mean something. Indian literature is also directly related to religion. Its extent is well-nigh immeasurable. I will not alarm the reader with statistics of the theological and metaphysical treatises which it contains. A little of such goes a long way even when they are first-rate, but India may at least boast of having more theological works which, if considered as intellectual productions, must be placed in the first class than Europe. Nor are religious writings of a more human type absent--the language of heart to heart and of the heart to God. The Ramayana of Tulsi Das and the Tiruvwcagam are extolled by Groase, Grierson and Pope (all of them Christians, I believe) as not only masterpieces of literature but as noble expressions of pure devotion, and the poems of Kabir and Tukaram, if less considerable as literary efforts, show the same spiritual quality. Indian poetry, even when nominally secular, is perhaps too much under religious influence to suit our taste and the long didactic and philosophic harangues which interrupt the action of the Mahabharata seem to us inartistic, yet to those who take the pains to familiarize themselves with what at first is strange, the Mahabharata is, I think, a greater poem than the _Iliad_. It should not be regarded as an epic distended and interrupted by interpolated sermons but as the scripture of the warrior caste, which sees in the soldier's life a form of religion. I have touched in several places on the defects of Hinduism. They are due partly to its sanction of customs which have no necessary connection with it and partly to its extravagance, which in the service of the gods sees no barriers of morality or humanity. But suttee, human sacrifices and orgies strike the imagination and assume an importance which they have not and never had for Hinduism as a whole. If Hinduism were really bad, so many great thoughts, so many good lives could not have grown up in its atmosphere. More than any other religion it is a quest of
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