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o he could direct the _cocher_. Mrs. Blake said she would get out here. Her dressmaker was close by, in the Rue Auber, and she would walk back to the hotel to meet them at seven o'clock. Jefferson assisted her to alight and escorted her as far as the _porte-cochere_ of the modiste's, a couple of doors away. When he returned to the carriage, Shirley had already told the coachman where to go. He got in and the _fiacre_ started. "Now," said Shirley, "tell me what you have been doing with yourself all day." Jefferson was busily arranging the faded carriage rug about Shirley, spending more time in the task perhaps than was absolutely necessary, and she had to repeat the question. "Doing?" he echoed with a smile, "I've been doing two things--waiting impatiently for seven o'clock and incidentally reading the notices of your book." CHAPTER IV "Tell me, what do the papers say?" Settling herself comfortably back in the carriage, Shirley questioned Jefferson with eagerness, even anxiety. She had been impatiently awaiting the arrival of the newspapers from "home," for so much depended on this first effort. She knew her book had been praised in some quarters, and her publishers had written her that the sales were bigger every day, but she was curious to learn how it had been received by the reviewers. In truth, it had been no slight achievement for a young writer of her inexperience, a mere tyro in literature, to attract so much attention with her first book. The success almost threatened to turn her head, she had told her aunt laughingly, although she was sure it could never do that. She fully realized that it was the subject rather than the skill of the narrator that counted in the book's success, also the fact that it had come out at a timely moment, when the whole world was talking of the Money Peril. Had not President Roosevelt, in a recent sensational speech, declared that it might be necessary for the State to curb the colossal fortunes of America, and was not her hero, John Burkett Ryder, the richest of them all? Any way they looked at it, the success of the book was most gratifying. While she was an attractive, aristocratic-looking girl, Shirley Rossmore had no serious claims to academic beauty. Her features were irregular, and the firm and rather thin mouth lines disturbed the harmony indispensable to plastic beauty. Yet there was in her face something far more appealing--soul and character. The
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