on walls or in cases--entails gigantic and
ever-increasing expenditure of public funds.
But this is not the only objection to these great galleries. The
multitude of objects--it may be of pictures--exhibited creates a state
of mind in the visitor which prevents his enjoyment of the works of
art so exhibited. He is overwhelmed by the vastness of the series
offered for his examination and confused and distressed by the close
setting of things which require isolation and appropriate surroundings
each in its own special way, if they are to be duly appreciated. Not
only this, but pictures, as well as other works of art, are, in
consequence of the necessity of placing them all in the great public
galleries used for the purpose, rarely placed in the most favourable
conditions of lighting, and are very often so ill-lighted as to lose
all their beauty even if they are not nearly invisible. More public
money would be available for the proper care and study of works of art
were less spent on the land, building and up-keep necessary for huge
galleries.
The desirability of separating a large unexhibited portion from the
well-chosen and well-shown exhibited portion of works of art,
exclusive of pictures, is, I believe, generally admitted. In the case
of pictures the opinion has been expressed that there would be great
difficulty in managing a reserved unexhibited portion of our national
collections so that the pictures could be properly cared for and yet
readily brought into view when required. One can well believe that a
similar difficulty was anticipated when it was first proposed to keep
books on shelves instead of on tables. Those who take this objection
have overlooked the resources of modern engineering. Reserved pictures
could be affixed in perfect security in appropriate groups on large
screens, and these disposed, like the scenery above a stage, upright
and in series, each screen 4 ft. distant from its neighbours. There
could be three or four floors of such closely packed screens arranged
in two rows, twenty in a row. On a lower floor there would be provided
a room with the most perfect light possible for seeing, enjoying and
studying a single one of these screens. They would all be numbered and
the pictures on each catalogued. A person duly authorised and approved
desires to see such and such a picture. He is given a seat in the
special exhibition room. The attendant or assistant in charge touches
the appropriate button
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