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ends on its being bordered by a frame of sufficient size and dignity and one which is really and artistically fitted to allow the finer qualities of the picture to become apparent. How often is such a frame seen? Who is there who has an adequate understanding of picture-frames as adjuncts to, or necessary accompaniments of, great pictures? The splendid carved and gilded wooden frames of some great pictures have a value of their own as examples of design. But how many of them are really suited to the picture which they surround? How much attention has been given by art experts to the question of the best possible "exhibitional" surroundings--nearer and more distant--for this, that and the other, among the great pictures of Europe? CHAPTER XX THE SECRET OF A TERRIBLE DISEASE This generation, which is so thankless to the great discoverers of the causes of disease, so forgetful of the epoch-making labours of the English sanitary reformers of last century, has not seen nor even heard of the awful thing once known as "gaol-fever." A hundred years ago it was as dangerous to the life of an unhappy prisoner to await his trial in Newgate as to stand between the opposing forces on a battlefield. Gaol-fever attacked not only the prisoners, but the judge and the jury and the strangers in the court. The aromatic herbs with which the hall of justice was strewn were supposed to arrest the spread of the terrible infection, and it is still customary to provide with a bouquet of such plants the judge who presides at a "gaol delivery." The inexorable ministers of justice, who, seated high above the common herd, and clad in their ancient robes of office, were about to deal shameful death to the guilty wretches brought from the prison cells, were often themselves struck down by the Angel of Death moving invisibly through the court. The "black assizes" were not isolated, but repeated occurrences in our great cities. Typhus fever was the name given by the learned to this awful pestilence. There was a mystery and horror surrounding it which paralysed those who came into contact with it, and produced something like consternation. Men fled in terror from the infected buildings, business was arrested, the universities deserted, palaces left empty, and the dying abandoned to their misery when it appeared. There was a feeling that some deadly unseen power was present, irresistible and malignant. It is only to-day--in fact, within th
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