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ouise d'Espard de Negrepelisse; but
her thirst for vengeance was only increased by Lucien's graciousness.
Des Lupeaulx was right; Lucien was wanting in tact. It never crossed
his mind that this history of the patent was one of the mystifications
at which Mme. d'Espard was an adept. Emboldened with success and the
flattering distinction shown to him by Mlle. des Touches, he stayed
till two o'clock in the morning for a word in private with his
hostess. Lucien had learned in Royalist newspaper offices that Mlle.
des Touches was the author of a play in which _La petite Fay_, the
marvel of the moment was about to appear. As the rooms emptied, he
drew Mlle. des Touches to a sofa in the boudoir, and told the story of
Coralie's misfortune and his own so touchingly, that Mlle. des Touches
promised to give the heroine's part to his friend.
That promise put new life into Coralie. But the next day, as they
breakfasted together, Lucien opened Lousteau's newspaper, and found
that unlucky anecdote of the Keeper of the Seals and his wife. The
story was full of the blackest malice lurking in the most caustic wit.
Louis XVIII. was brought into the story in a masterly fashion, and
held up to ridicule in such a way that prosecution was impossible.
Here is the substance of a fiction for which the Liberal party
attempted to win credence, though they only succeeded in adding one
more to the tale of their ingenious calumnies.
The King's passion for pink-scented notes and a correspondence full of
madrigals and sparkling wit was declared to be the last phase of the
tender passion; love had reached the Doctrinaire stage; or had passed,
in other words, from the concrete to the abstract. The illustrious
lady, so cruelly ridiculed under the name of Octavie by Beranger, had
conceived (so it was said) the gravest fears. The correspondence was
languishing. The more Octavie displayed her wit, the cooler grew the
royal lover. At last Octavie discovered the cause of her decline; her
power was threatened by the novelty and piquancy of a correspondence
between the august scribe and the wife of his Keeper of the Seals.
That excellent woman was believed to be incapable of writing a note;
she was simply and solely godmother to the efforts of audacious
ambition. Who could be hidden behind her petticoats? Octavie decided,
after making observations of her own, that the King was corresponding
with his Minister.
She laid her plans. With the help of a faithful
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