leasure." To this
ill-timed reproof Mozart answered:
"What do you mean by dreams of pleasure? I do not wish to give up
dreaming, for what mortal on the whole compass of the earth does not
often dream? above all, dreams of pleasure--peaceful dreams, sweet,
cheering dreams, if you will--dreams which, if realised, would have
rendered my life (now far rather sad than happy) more endurable."
In a few weeks, however, he returned home to Salzburg, and there his
cousin the Baesle, who had brightened a part of his trial in Munich,
followed him. And this was in the month of January of the year 1779.
As for Aloysia, she had cause enough to regret jilting one of the
greatest, as well as one of the most gentle, souls in the world. She
married the actor Lange and lived unhappily with him. According to
Jahn, each both gave and received cause for jealousy. Years after,
Mozart drifted back into her vicinity under curious circumstances. The
lovers became good friends, and such friends, that for him, at least,
Lange could not feel jealousy, according to Jahn, who adds, "Otherwise
he would hardly have taken the role of Pierrot in the pantomime in which
his wife played Columbine and Mozart the Harlequin."
Nohl thus sums up the whole affair: "Neither happiness nor riches
brightened Aloysia's path in life, nor the peace of mind arising from
the consciousness of purity of heart. Not till she was an aged woman,
and Mozart long dead, did she recognise what he had really been; she
liked to talk about him and his friendship, and in thus recalling the
brightest memories of her youth, some of that lovable charm seemed to
revive that Mozart had imparted to her and to all with whom he had any
intercourse. Every one was captivated by her gay, unassuming manner, her
freedom from all the usual virtuoso caprices in society, and her
readiness to give pleasure by her talent to every one, as if a portion
of the tender spirit with which Mozart once loved her had passed into
her soul and brought forth fresh leaves from a withered stem. But years
of faults and follies intervened for Aloysia. Meanwhile, he parted from
her with much pain, though the esteem with which he had hitherto
regarded her was no longer the same."
* * * * *
Of all strange things in the strange history of lives upon this earth,
there cannot be many more strange than this, that Mozart, after being so
sadly treated by this woman, should have his next
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