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cres of ground, and had its porticoes, race course, &c., surrounded by a wall. The total area of the grounds is nearly 27 acres! The Baths of Diocletian, erected in the 4th century, were 6,000 feet in perimeter and its number of daily bathers were 3,000. The Pyramid of Cestius. "The Egyptian pyramidal form was not unfrequently employed by the Romans in the construction of their tombs." That of Cestius, who died within the last thirty years before Christ, is 116 feet high and 98 feet square at the base. It is constructed with bricks and covered with marble blocks. Upon the Cemetery of St. Lorenzo, "the great modern burial-ground of Rome," I saw one or several small monuments or head stones which were in the form of pyramids. Here, as in Catholic burial-grounds generally in Europe, crosses take the place of memorial stones, except some of the latest interments are marked by marble slabs and monuments. The Catacombs or underground burial-places of Rome, are not quite as interesting as many suppose who have read large chapters and heard long addresses upon the subject. The passages are almost innumerable, intersecting each other in every direction and ranging in some places many stories above each other, but still, as you pass along in the dim light of a little taper, it appears much like a subterranean stone-quarry containing pigeon-holes for the dead. The Temple of Vesta. The little round temple referred to on page 244, was once supposed to have been the temple of Vesta, but it is now quite certain that this was a mistake. It is 50 feet in diameter and each of its 20 Corinthian columns which constitute the circular colonnade around it, is 32 feet high. Wherever the Temple of Vesta may have stood, it is evident that from its eternal fires was borrowed the custom, still extant in Catholic churches, of keeping up a perpetual flame by means of tapers. Six Vestal Virgins sworn to perpetual virginity, used to watch the sacred flame upon the altar in the Temple of Vesta, and it is an impressive sight to see the same sacred and eternal flame still burning around the High Altar in St. Peter's. From what may still be seen in Europe in general, and at Rome in particular, it is evident that all or nearly all of the emblems, forms and ceremonies of the _early_ Catholic Church were borrowed from ancient mythology. Obelisks and Fountains. The many magnificent fountains of Rome are all adorned
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