, to spend a precious morning in a church-room
sorting cast-off clothes?

In every church, large or small, there are both men and women who are
talented in a special way; who could bring gifts of training and
experience to bear upon the problems and opportunities of the Church.
Tell me, in prayer or speech-making, formal or social occasion, pastor
or people, do we often bring our very deepest, tenderest, most inspiring
emotional or intellectual life? It is not a whit more spiritual to be
stupid than to be bright. This is what our church-meetings should
be--not a formal and very dull round of prayers and set remarks, more or
less pointless; they ought to be a yielding-up of our heart's best life
to others.

9. We need, as a Church, a deeper spiritual life. We need the Power of
the Holy Ghost. In spite of all the sorrow of the world, sorrow both of
a personal nature and that which touches whole communities, there is
only one real burden upon the heart of earnest men and women: it is our
own inadequate representation of Christianity,--the disheartening
difference between what we practise and what we profess. When the Church
of God is in reality a powerful and hard-working body of sincere,
honest, and loving people, the world will soon be saved!

SECOND: ADHERENCE

By the question, Why join the Church?--I do not mean alone, Why add my
name to a church-roll? I mean, Why give myself, my powers, my education,
my love, my loyalty, to advance the progress of the Church?

There is nothing we resent more than a waste of ourselves. To attract
our service, there must be in the Church an inner vitality, a moving
and spiritual fire.

1. The Church embodies the spiritual dreams of the world. Man does not
live by bread alone; he lives by imagination, and by religious powers.
In the Church of God, the spiritual imagination of man reached its
highest field of energy, and has brought forth its most triumphant
works. The great art of the world has centred about the Christian
Church--its architecture and much of its noblest speech. Imagine a world
in which every work which was inspired by the Church, or by the concepts
of religion embodied in it, should be left out. What would we then lack?
We would lack the greatest works of Michelangelo, Raphael, Titian,
Francesca, Botticelli, Murillo; we would not see the cathedrals of
Milan, Strasburg, or Cologne; we would never read the poems of Caedmon,
Milton, or Dante. The hamlet would be wi