ORUS I

They are the shipped battalions sent
To bar the bold Belligerent
Who stalks the Dancers' Land.
Within these hulls, like sheep a-pen,
Are packed in thousands fighting-men
And colonels in command.

SEMICHORUS II

The fleet that leans each aery fin
Far south, where Mondego mouths in,
Bears Wellesley and his aides therein,
And Hill, and Crauford too;
With Torrens, Ferguson, and Fane,
And majors, captains, clerks, in train,
And those grim needs that appertain--
The surgeons--not a few!
To them add twelve thousand souls
In linesmen that the list enrolls,
Borne onward by those sheeted poles
As war's red retinue!

SEMICHORUS I

The fleet that clears St. Helen's shore
Holds Burrard, Hope, ill-omened Moore,
Clinton and Paget; while
The transports that pertain to those
Count six-score sail, whose planks enclose
Ten thousand rank and file.

SEMICHORUS II

The third-sent ships, from Plymouth Sound,
With Acland, Anstruther, impound
Souls to six thousand strong.
While those, the fourth fleet, that we see
Far back, are lined with cavalry,
And guns of girth, wheeled heavily
To roll the routes along.

SPIRIT OF THE YEARS

Enough, and more, of inventories and names!
Many will fail; many earn doubtful fames.
Await the fruitage of their acts and aims.

DUMB SHOW [continuing]

In the spacious scene visible the far-separated groups of
transports, convoyed by battleships, float on before the wind
almost imperceptibly, like preened duck-feathers across a pond.
The southernmost expedition, under SIR ARTHUR WELLESLEY, soon
comes to anchor within the Bay of Mondego aforesaid, and the
soldiery are indefinitely discernible landing upon the beach
from boats. Simultaneously the division commanded by MOORE, as
yet in the Chops of the channel, is seen to be beaten back by
contrary winds. It gallantly puts to sea again, and being joined
by the division under ANSTRUTHER that has set out from Plymouth,
labours round Ushant, and stands to the south in the track of
WELLESLEY. The rearward transports do the same.

A moving stratum of summer cloud beneath the point of view covers
up the spectacl