ower; boating on a
subterranean lake among caverns and arches royally draped with clustering
stalactites, and passing out into open day upon another lake, which is
bordered with sloping banks of grass and gay with patrician barges that
swim at anchor in the shadow of a miniature marble temple that rises out
of the clear water and glasses its white statues, its rich capitals and
fluted columns in the tranquil depths. So, from marvel to marvel you
have drifted on, thinking all the time that the one last seen must be the
chiefest. And, verily, the chiefest wonder is reserved until the last,
but you do not see it until you step ashore, and passing through a
wilderness of rare flowers, collected from every corner of the earth, you
stand at the door of one more mimic temple. Right in this place the
artist taxed his genius to the utmost, and fairly opened the gates of
fairy land. You look through an unpretending pane of glass, stained
yellow--the first thing you see is a mass of quivering foliage, ten short
steps before you, in the midst of which is a ragged opening like a
gateway-a thing that is common enough in nature, and not apt to excite
suspicions of a deep human design--and above the bottom of the gateway,
project, in the most careless way! a few broad tropic leaves and
brilliant flowers. All of a sudden, through this bright, bold gateway,
you catch a glimpse of the faintest, softest, richest picture that ever
graced the dream of a dying Saint, since John saw the New Jerusalem
glimmering above the clouds of Heaven. A broad sweep of sea, flecked
with careening sails; a sharp, jutting cape, and a lofty lighthouse on
it; a sloping lawn behind it; beyond, a portion of the old "city of
palaces," with its parks and hills and stately mansions; beyond these, a
prodigious mountain, with its strong outlines sharply cut against ocean
and sky; and over all, vagrant shreds and flakes of cloud, floating in a
sea of gold. The ocean is gold, the city is gold, the meadow, the
mountain, the sky--every thing is golden-rich, and mellow, and dreamy as
a vision of Paradise. No artist could put upon canvas, its entrancing
beauty, and yet, without the yellow glass, and the carefully contrived
accident of a framework that cast it into enchanted distance and shut out
from it all unattractive features, it was not a picture to fall into
ecstasies over. Such is life, and the trail of the serpent is over us
all.

There is nothing for it now