he fair
images they have set up for your willing worship with the pitiless
ferocity of the fanatic iconoclast! But still I love the Old Travelers.
I love them for their witless platitudes, for their supernatural ability
to bore, for their delightful asinine vanity, for their luxuriant
fertility of imagination, for their startling, their brilliant, their
overwhelming mendacity!

By Lyons and the Saone (where we saw the lady of Lyons and thought little
of her comeliness), by Villa Franca, Tonnere, venerable Sens, Melun,
Fontainebleau, and scores of other beautiful cities, we swept, always
noting the absence of hog-wallows, broken fences, cow lots, unpainted
houses, and mud, and always noting, as well, the presence of cleanliness,
grace, taste in adorning and beautifying, even to the disposition of a
tree or the turning of a hedge, the marvel of roads in perfect repair,
void of ruts and guiltless of even an inequality of surface--we bowled
along, hour after hour, that brilliant summer day, and as nightfall
approached we entered a wilderness of odorous flowers and shrubbery, sped
through it, and then, excited, delighted, and half persuaded that we were
only the sport of a beautiful dream, lo, we stood in magnificent Paris!

What excellent order they kept about that vast depot! There was no
frantic crowding and jostling, no shouting and swearing, and no
swaggering intrusion of services by rowdy hackmen. These latter gentry
stood outside--stood quietly by their long line of vehicles and said
never a word. A kind of hackman general seemed to have the whole matter
of transportation in his hands. He politely received the passengers and
ushered them to the kind of conveyance they wanted, and told the driver
where to deliver them. There was no "talking back," no dissatisfaction
about overcharging, no grumbling about anything. In a little while we
were speeding through the streets of Paris and delightfully recognizing
certain names and places with which books had long ago made us familiar.
It was like meeting an old friend when we read Rue de Rivoli on the
street corner; we knew the genuine vast palace of the Louvre as well as
we knew its picture; when we passed by the Column of July we needed no
one to tell us what it was or to remind us that on its site once stood
the grim Bastille, that grave of human hopes and happiness, that dismal
prison house within whose dungeons so many young faces put on the
wrinkles of age, so ma