e and go on with the same old story just the same.

CHAPTER XV.

One of our pleasantest visits was to Pere la Chaise, the national
burying-ground of France, the honored resting-place of some of her
greatest and best children, the last home of scores of illustrious men
and women who were born to no titles, but achieved fame by their own
energy and their own genius. It is a solemn city of winding streets and
of miniature marble temples and mansions of the dead gleaming white from
out a wilderness of foliage and fresh flowers. Not every city is so well
peopled as this, or has so ample an area within its walls. Few palaces
exist in any city that are so exquisite in design, so rich in art, so
costly in material, so graceful, so beautiful.

We had stood in the ancient church of St. Denis, where the marble
effigies of thirty generations of kings and queens lay stretched at
length upon the tombs, and the sensations invoked were startling and
novel; the curious armor, the obsolete costumes, the placid faces, the
hands placed palm to palm in eloquent supplication--it was a vision of
gray antiquity. It seemed curious enough to be standing face to face, as
it were, with old Dagobert I., and Clovis and Charlemagne, those vague,
colossal heroes, those shadows, those myths of a thousand years ago! I
touched their dust-covered faces with my finger, but Dagobert was deader
than the sixteen centuries that have passed over him, Clovis slept well
after his labor for Christ, and old Charlemagne went on dreaming of his
paladins, of bloody Roncesvalles, and gave no heed to me.

The great names of Pere la Chaise impress one, too, but differently.
There the suggestion brought constantly to his mind is, that this place
is sacred to a nobler royalty--the royalty of heart and brain. Every
faculty of mind, every noble trait of human nature, every high occupation
which men engage in, seems represented by a famous name. The effect is a
curious medley. Davoust and Massena, who wrought in many a battle
tragedy, are here, and so also is Rachel, of equal renown in mimic
tragedy on the stage. The Abbe Sicard sleeps here--the first great
teacher of the deaf and dumb--a man whose heart went out to every
unfortunate, and whose life was given to kindly offices in their service;
and not far off, in repose and peace at last, lies Marshal Ney, whose
stormy spirit knew no music like the bugle call to arms. The man who
originated public gas-ligh