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1860-1864: its Causes, Incidents, and Results: intended to exhibit especially its Moral and Political Phases, with the Drift and Progress of American Opinion respecting Human Slavery, from 1776 to the Close of the War for the Union. By Horace Greeley. Illustrated by Portraits on Steel of Generals, Statesmen, and other Eminent Men; Views of Places of Historic Interest, Maps, Diagrams of Battle-Fields, Naval Actions, etc.: from Official Sources. Volume I. Hartford. A. D. Case & Co. 8vo. pp. 648. $3.00. The Voice of Blood, in the Sphere of Nature and of the Spirit World. By Rev. Samuel Phillips, A.M. Philadelphia. Lindsay & Blakiston. 12mo. pp. xvi., 384. The Suppressed Book about Slavery. Prepared for Publication in 1857,--never published until the Present Time. New York. Carleton. 16mo. pp. 432. $2.00. Nearer and Dearer. A Novelette. By Cuthbert Bede, B.A., Author of "Verdant Green." New York, Carleton. 16mo. pp. xi., 225. $1.50. Annals of the English Stage, from Thomas Betterton to Edmund Kean. By Dr. Doran, F.S.A., Author of "Table Traits," etc. New York. W. J. Widdleton. 2 vols. 8vo. pp. 424, 422. $4.50. A Report of the Debates and Proceedings in the Secret Sessions of the Conference Convention, for proposing Amendments to the Constitution of the United States, held at Washington, D.C., in February, A.D. 1861. By L. E. Chittenden, One of the Delegates. New York. D. Appleton & Co. 8vo. pp. 626. $5.00. End of the Project Gutenberg EBook of The Atlantic Monthly, Volume 15, No. 87, January, 1865, by Various *** END OF THIS PROJECT GUTENBERG EBOOK ATLANTIC MONTHLY, JANUARY, 1865 *** ***** This file should be named 26047.txt or 26047.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/6/0/4/26047/ Produced by Joshua Hutchinson, Josephine Paolucci and the Online Distributed Proofreading Team at http://www.pgdp.net. (This file was produced from images generously made available by Cornell University Digital Collections.) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply
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