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rope, and takes a historical position. If it cares for its own honor it will select reporters of bills that are not unworthy, and instruct them to support these with available arguments, as closely reasoned out as possible; the bill, discussed and adopted in full council, will show the measure of its capacity, the information it possesses and its common-sense. To estimate all this, read the bills put forth in the name of the Committee; weigh the preambles, remark the tone, listen to the two reporters usually chosen, Saint-Just, who draws up the acts of proscription, special or general, and Barere, who draws up all acts indifferently, but particularly military announcements and decrees against the foreigner; never did public personages, addressing France and posterity, use such irrational arguments and state falsehoods with greater impudence.[3265] The former, stiff in his starched cravat, posing "like the Holy Ghost," more didactic and more absolute than Robespierre himself, comes and proclaims to Frenchmen from the tribune, equality, probity, frugality, Spartan habits, and a rural cot with all the voluptuousness of virtue;[3266] this suits admirably the chevalier Saint-Just, a former applicant for a place in the Count d'Artois' body-guard, a domestic thief, a purloiner of silver plate which he takes to Paris, sells and spends on prostitutes, imprisoned for six months on complaint of his own mother,[3267] and author of a lewd poem which he succeeds in rendering filthy by trying to render it fanciful.--Now, indeed, he is grave; he no longer leers; he kills--but with what arguments, and what a style![3268] The young Laubardemont as well as the paid informers and prosecutors of imperial Rome, have less disgraced the human intellect, for these creatures of a Tiberius or a Richelieu still used plausible arguments in their reasoning, and with more or less adroitness. With Saint-Just, there is no connection of ideas; there is no sequence or march in his rhapsody; like an instrument strained to the utmost, his mind plays only false notes in violent fits and starts; logical continuity, the art then so common of regularly developing a theme, has disappeared; he stumbles over the ground, piling up telling aphorisms and dogmatic axioms. In dealing with facts there is nothing in his speech but a perversion of the truth; impostures abound in it of pure invention, palpable, as brazen as those of a charlatan in his booth;[3269] he
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