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The Project Gutenberg eBook, The Art of Lecturing, by Arthur M. (Arthur Morrow) Lewis This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Art of Lecturing Revised Edition Author: Arthur M. (Arthur Morrow) Lewis Release Date: November 29, 2009 [eBook #30565] Language: English Character set encoding: ISO-646-US (US-ASCII) ***START OF THE PROJECT GUTENBERG EBOOK THE ART OF LECTURING*** E-text prepared by Barbara Tozier, Bill Tozier, and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) THE ART OF LECTURING by ARTHUR M. LEWIS Revised Edition Chicago Charles H. Kerr & Company Co-operative CONTENTS CHAPTER I. INTRODUCTORY II. EXORDIUM III. BEGIN WELL IV. SPEAK DELIBERATELY V. PERORATION VI. READ WIDELY VII. READ THE BEST VIII. SUBJECT IX. LEARN TO STOP X. CHAIRMAN XI. MANNERISMS XII. COURSE LECTURING--NO CHAIRMAN XIII. COURSE LECTURING--LEARN TO CLASSIFY XIV. PREPARATION XV. DEBATING XVI. TRICKS OF DEBATE XVII. RHETORIC XVIII. THE AUDIENCE XIX. STREET SPEAKING: THE PLACE THE STYLE DISTURBERS POLICE INTERFERENCE BOOK-SELLING AND PROFESSIONALISM XX. BOOK-SELLING AT MEETINGS XXI. EXAMPLE BOOK TALKS XXII. CONCLUSION THE ART OF LECTURING CHAPTER I INTRODUCTORY For some time I have been besieged with requests to open a "Speakers' Class" or "A School of Oratory," or, as one ingenious correspondent puts it, a "Forensic Club." With these requests it is impossible to comply for sheer lack of time. I have decided, however, to embody in these pages the results of my own experience, and the best I have learned from the experience of others. There are some things required in a good lecturer which cannot be imparted to a pupil by any teacher, and we may as well dispose of these. One is a good voice. Modern methods, however, have done much to make the improvement of the voice possible. While it is probably impossible in the great majority of cases to make a very fine voice out of a very poor one, no one, with an average voic
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