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tage in the Spanish palace was very great. A young man, half lay, half ecclesiastic, a dubious sort of poet, secretary, factotum, accustomed to write not the most sincere poetry, and to execute, perhaps, not the most creditable errands, of the Pope's dubious nephew, Duke Braschi--a young man named Vincenzo Monti, was present at this performance, or one of the succeeding ones; and from that moment became the author of the revolutionary tragedy of _Aristodemo_, the potential author of that famous ode on the battle of Marengo, one of the forerunners of new Italy. Nay, even when, some few months later, there died at Vienna the old Abate Metastasio, and his death brought home to a rather forgetful world what a poet and what a dramatist that old Metastasio had been; even then, an intimate friend of the dead man, a worldly priest, a quasi prelate, the Abate Taruffi, could find no better winding up for the funeral oration, delivered before all the pedants and prigs and fops and spies of pontifical Rome assembled in the rooms of the Arcadian academy, than to point to Count Vittorio Alfieri, and prophesy that Metastasio had found a successor greater than himself. CHAPTER XI. SEPARATION. Alfieri and the Countess were happy, happier, perhaps, than at any other time of their lives; but this happiness had to be paid for. The false position in which, however faultlessly, they were placed; the illegitimate affection in which, however blamelessly, they were indulging; these things, offensive to social institutions, although in no manner wrong in themselves, had produced their fruit of humiliation, nay, of degradation. Fate is more of a Conservative than we are apt to think; it resents the efforts of any individual, be he as blameless as possible, to resist for his own comfort and satisfaction the uncomfortable and unsatisfactory arrangements of the world; it punishes the man who seeks to elude an unjust law by condemning him to the same moral police depot, to the same moral prison-food, as the villain who has eluded the holiest law that was ever framed; and Fate, therefore, soiled the poetic passion of Alfieri and his lady by forcing it to the base practices of any illicit love. The manner in which Fate executes these summary lynchings of people's honour could not usually be more ingenious; there seems to be a special arrangement by which offenders are punished in their most sensitive part. The punishment of Alfieri and o
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