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ds, he remarks: "I have heard it reported, Siegfried, that you understand the language of the birds. Is it true?" "I have not heeded their babble this many a day--" Siegfried is saying, when Gunther's heavy and preoccupied mien is borne upon him; he breaks off to reach him his drink-horn, cheerily rallying him: "Drink, Gunther, drink! Your brother brings it to you!" Gunther, oppressed by his dark doubt of Siegfried, is not prompt in accepting the proffered cup. His reply obscurely conveys his sense of some failure in their good-fellowship. Siegfried takes it up merely to turn into occasion for one of his cordial laughs. "You over-cheerful hero!" sighs Gunther. Something is wrong, Siegfried cannot fail to see. He drops privately to Hagen his interpretation of the friend's gloom: "Bruennhilde is giving him trouble?" "If he understood her as well as you understand the song of the birds!" Siegfried has an inspiration. Those last words of Hagen's contain the germ of it. "Hei! Gunther!" he calls to the blood-brother, who appears so sorely in need of cheering: "You melancholy fellow! If you will thank me for it, I will sing you tales from the days of my youth!" Gunther's reply is politely encouraging. Hagen joins his invitation to the half-brother's. The listeners place themselves at ease on the ground about the narrator, seated in their midst on a mossy stump. Then Siegfried, with his beautiful, bottomless zest in life, recounts in vivid running sketches the story we know. One after the other the familiar motifs pass in review. From them alone one could reconstruct the tale. Of his childhood in Mime's cave, the forging of Nothung, the slaying of the dragon. Of the wonder worked by the drop of dragon's blood on the tongue, the little bird's good counsel by which he won Tarnhelm and Ring, the same bird's warning upon which he slew Mime. At this point, when we are wondering how, with Bruennhilde wiped from his memory, he can proceed, Hagen hands him a horn filled with wine, in which he has been seen expressing the juice of an herb; this, the Nibelung's son, wise in the virtues of simples, tells him, will sharpen his memory and bring close remote events. Siegfried takes the cup, but for a moment does not taste it, absorbed, as is evident, in the effort to remember what came right after the point in his story at which he just broke off. The forgetfulness-motif suggests his baffled groping. Mechanically he sets the horn to hi
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