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m the ensuing narrative of Count Segur,[128] who was one of the generals in that army, an officer of the imperial staff, and an eye-witness of what he describes.[129] His faithful history of that terrible disaster must necessarily be painful. It is in most respects the very opposite of Xenophon's account of the Retreat of the Ten Thousand, which precedes it. But the reader should reflect that the dark and sorrowful scenes of history may have lessons as salutary as the brighter ones; and that the story of a great failure, involving the ruin and death of thousands, may be as instructive and as helpful as the story of a great success. In Xenophon's case, we have the spectacle of a man of more than ordinary ability, stimulated by difficulty and peril until he rises to real greatness of achievement. In Napoleon's career we see a naturally "great mind dragged to ruin by its own faults"; but such a man could not fall alone, and it was inevitable that a multitude should suffer with him and for him. D. H. M. NAPOLEON'S RETREAT FROM MOSCOW. Sec. 1. Description of Moscow; arrival of the Czar. The ancient capital of Russia, appropriately denominated by its poets "_Moscow[130] with the gilded cupolas_," was a vast and fantastic assemblage of two hundred and ninety-five churches, and fifteen hundred palaces, with their gardens and dependencies. These larger mansions of brick, and their parks, intermixed with neat houses of wood, and even thatched cottages, were spread over several square leagues of irregular ground. They were grouped round the Kremlin, a lofty triangular fortress. The vast double enclosure in which this was situated was about two miles in circuit. It contained, first, several palaces, some churches, and rocky and uncultivated spots, and secondly, a prodigious bazaar,--the town of the merchants and shopkeepers,--where was displayed the collected wealth of the four quarters of the globe. These palaces, these edifices, nay, the very shops themselves, were all covered with burnished and painted iron. The churches, each surmounted by a balcony and several steeples, terminating in golden balls, then the crescent, and lastly the cross, reminded the spectator of the history of this nation: it was Asia and its religion, at first victorious, subsequently vanquished, so that finally the cross of Christ surmounted the crescent of Mohammed. A ray of sunshine caused this splendid city to glisten with a thous
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