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o be sure how she looked at that moment, for he knew her face well. It had fixed itself in the front of his memories some time ago, and he had not succeeded in bringing any other image there to drive it away. Perhaps he had not tried as hard as he supposed. It was not such a very striking face either, at first sight. The features were not perfect, by any means, and they were certainly not Greek. Anacreon would not have compared Margaret's complexion to roses mixed with milk, but he might have thought of cream tinged with peach-bloom, and it would have been called a beautiful skin anywhere. Margaret had rather light brown eyes, but when she was interested in anything the pupils widened so much as to make them look very dark. Then the lids would stay quite motionless for a long time, and the colour would fade a little from her whole face; but sometimes, just then, she would bite her lower lip, and that spoiled what some people would have called the intenseness of her expression. It is true that her teeth were beyond criticism and her lips were fresh and creamy red--but Mr. Lushington wished she would not do it. The muses are never represented 'biting their lips'; and in his moments of enthusiasm he liked to think that Margaret was his muse. She had thick brown hair that waved naturally, but made no little curls and baby ringlets, such as some young women have, or make. The line of her hair along her forehead and temples, though curved, was rather severe. She had been fair when a little girl, but had grown darker after she was fifteen. When she thought of it, she rather liked her own face, for she was not everlastingly trying to be some one else. It was a satisfactory face, on the whole, she thought, perfectly natural and frank, and healthy. No doubt it would have been nice to be as beautiful as a Madame de Villeneuve, or a Comtesse de Castiglione, but as that was quite impossible, it was easy to be satisfied with what she had in the way of looks and not to envy the insolent radiance of the fair beauties, or the tragic splendour of the dark ones. Besides, great beauty has disadvantages; it attracts attention at the wrong moment, it makes travelling troublesome, it is obtrusive and hinders a woman from doing exactly what she pleases. It is celebrity, and therefore a target for every photographing tourist and newspaper man. And then, to lose it, as one must, is a kind of suffering which no male can quite understand. Ev
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