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of, 260 Athletes: Sistine Chapel, 13, note; 164, 167, 168, 173-178, 211 Athens, 156 Attalante, 146 Avignon, 293 Bacchus: carved in Rome, 24, 107, 108 Baccio d'Agnolo, 116 Baglioni: the traitor, 203 Baldassare: _see_ Peruzzi Baldassari: del Milanese, buys the god of Love, 21 Bandinelli: Baccio, studies the Cartoon, 126; Hercules and Cacus, 204, 270, 295 Bandini: Francesco, 236, 246 Baptistry: Florence, 255 Bargello: Florence, mask of a faun, 11; Tondo, 121, 129; Apollo, 205, 228; Brutus, 249 Bartolomei: Messer, 231 Bartolomeo: Amanati, letter to, 238 Bartolommea: widow of Buonarroto, 201 Bas-relief: Florentine love of, 121 Bassano, 174 Bathers: _see_ Cartoon Battista Benti: carves details in the Tomb of Julius II., 226 Battista del Cinque: carpenter, 197 Batista Lorenzi, 253, 262 Beatrice: of Mantua, 3 Beaumont: Sir George, presents a tondo to the Royal Academy, 121 Belvedere: works ordered by Julius III., 78 Beinbo, 76 Bene: Benedetto, copies the Leda, 204 Bentivogli: law, 18; return to Bologna, 40, 141 Benvenuto: _see_ Cellini Bernardo Cencio: Canon of St. Peter's, 180, 181 Bernardo da Bibbiena, 146 Bernardo della Ciecha, 116 Berlin, 106 Bertoldo: the master of Michael Angelo in Sculpture, 99, 100, 102 Berugetta: Alonso, 126 Biagio da Cesena: objects to nude figures, 222 Bibbiena: Cardinal, rebukes Cardieri, l7 Bible: the master's study, 86; of Raphael, 173 Bini: Bernardo, trustee for the Tomb, 51, 69 Blois: Chateau, 251 Boboli Gardens: the grotto with four statues, 129, 227 Boccaccio, 19 Bologna: flight to, 18-20; with Julius II. at, 39, 40; conversations at, 90, 132; the Colossal Bronze destroyed, 141, 171, 195, 291 Bonasoni: Giulio, engravings, a Pieta, 230; portrait of the master, 253 Bonifazio: Count, 3 Bononiensis: Tudius, engraves a Pieta, 230 Boon companions: of the master, 264 Borgerini: Pier Francesco, 182 Borghini: Don Vincenzo, opens the coffin, 261 Borgia: Cesare, _see_ Valentino Borgo, 178, 238 Botticelli: Sandro, letter addressed to him, 23, 107, 116; Popes and histories by, 166 Bramante: destroys S. Petronilla, 25; Tomb of Julius, 31; his errors, 32; rebuilding of S. Peter's, 34; suggests the painting of the vault, 41; and Raphael to finish it, 47; his shortcomings, 48; scaffold, 82; has the Pope's ear in Rome, 130; vault painting, 131, 164; "a brave archi
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