: San, in Laterano, 320, 321

Giovanni: Michi, 150

Giovanni: San, dei Fiorentini, designs for, 248

Giovannino: San, a, 106

Giovan Simone:
joins Buonarroto in the cloth business, 109, 133, 135;
his behaviour troubles the master, 151;
a letter to him, 153;
he begins to do well, 162;
death, 254

Girolamo da Fano: retouches the Day of Judgment, 223

Gismondo:
to join Buonarroto, 152;
visits Rome, 161

Giugni: Galeotto, envoy, 202

Giulia: La, the cannon cast from the wreck of the Bronze, 141, 202

Giulia: the Villa, works ordered by Julius III., 78, 292

Giuliano: a marble statue in the New Sacristy, 193, 194, 211, 212

Giuliano de' Medici: his courtesy, 17

Giulio Romano, 290, 293

Gondi: the bank of, 78

Gondi: Filippo, hides his goods, 201

Gondi: Giambattista, 251

Gonfaloniere: _see_ Soderini

Gottifredo, 3

Granacci:
Francesco, 7, 9, 11, 98, 99;
studies the Cartoon, 126;
helps to provide assistants, his letter, 149, 151

Grand Canal: a design for a bridge, 74

Grotesque, 316-318

Guelph, 4

Guidobaldo: Duke of Urbino own's the god of Love, 23

Guidoccione, 76

Haarlem: drawings in the Teyler Museum, 253

Hawkwood: Sir John, 124

Henry II.: of France, 251

Hercules: a marble statue, 14, 105

Hercules and Cacus, 204

Hercules strangling Antaeus: a wax model, 252

Holkham Hall: Cartoon at, 38, 124, 125

Holy Family with Shepherds, the, 122

Homer, 76, 78, 173

Human form: the master's love for the beauty of, 87

Imitators of the master, 263

Indaco:
Jacopo L', assistant, 150, 155;
he grumbles, 157, 264

Inscriptions, 262, 263

Intaglio: _see_ Gems

Ippolito de' Medici, 201

Isaiah: by Raphael, 177

Italian painting; the master's opinion of, 280, 281

Jacopo del Conte, 252

Jacopo della Quercia: studied by the master, 136, 170, 171

Jacopo di Sandro: an assistant, 151

Jacopo: _see_ Galli, L'Indaco, Sansovino

Jean: makes a model of the Dome, 247

Jeremiah: the Prophet, 174

Joel, 174

Jonah, 221

Judith, 13, 46, 178;
of Donatello, 117

Julius II.:
Pope, calls the master to Rome and orders his Tomb, 28-30, 128, 129;
offends the master, 35, 38, 130;
the Colossal Bronze for Bologna, 40, 130, 132, 134;
it is placed on San Petronio, but is destroyed by the mob and made into a
cannon, 141;
orders the Vault of the Sistine Chapel to be painted, 48, 50, 164;
the master's love for him, 62;
and his house, 69, 77;
he is satisfied, 165, 179;
deat