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ne kritische Studie. Berlin, 1902. Delia Rocca. Skizzen ueber H. Heine. Wien, Pest, Leipzig, Hartleben, 1882. Sandvoss, Franz. Was duenket Euch um Heine? Ein Bekenntnis. Leipzig, 1888. Schmidt, Julian. Bilder aus dem geistigen Leben unsrer Zeit. Leipzig, 1870-71. Heine, Bd. 2, p. 283-350. Schmidt-Weissenfels. Ueber Heinrich Heine. Berlin, 1857. Selden, Camille. Les derniers Jours de H. Heine. Paris, 1884. Sharp, William. Life of Heinrich Heine. London, 1888. Sintenis, F. H. Heine; ein Vortrag. Dorpat, 1877. Stigand. The Life, Works and Opinions of Heinrich Heine. London, 1875. Strodtmann, Adolf. Heinrich Heine's Wirken und Streben, Dargestellt an seinen Werken. Hamburg, 1857. Strodtmann, Adolf. Immortellen Heinrich Heine's. Berlin, 1871. Strodtmann, Adolf. H. Heine's Leben und Werke. III Aufl. Berlin, 1884. Stylo, A. Heine und die Romantik. Programm. Krakau, 1900. Weill, Alexandre: Souvenirs Intimes de Henri Heine. Paris, 1883. TRANSCRIBER'S NOTES: [Note TN1: Correction of the original, which has 'Menchen' here.] End of the Project Gutenberg EBook of *** END OF THIS PROJECT GUTENBERG EBOOK WELTSCHMERZ *** ***** This file should be named 17364.txt or 17364.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/7/3/6/17364/ Produced by David Starner, Ralph Janke and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain
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