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concord which has bound together this whispering universe: for there beneath the Cross of Jesus are none but saints, Madonna and the two SS. Maries, St. John the Baptist and St. John the Divine, and beside them kneel the founders of the Religious Orders St. Dominic, the founder of the preaching friars, St. Jerome the father of monasticism, St. Francis the little poor man, St. Bernard who spoke with Madonna, S. Giovanni Gualberto the founder of Vallombrosa, St. Peter Martyr who was wounded for Christ's sake. Above him stands St. Thomas Aquinas the angelic doctor, St. Romuald the founder of Camaldoli St. Benedict who overthrew the temples, St. Augustine who has spoken of the City of God, S. Alberto di Vercelli the founder of the Carmelites. And on the other side, beside St. John Baptist, St. Mark the patron of the convent kneels with his open Gospel, St. Laurence stands with his gridiron, and behind him come the two other Medici saints, S. Cosmo and S. Damiano. Pass into the dormitories, and in every cell you enter Jesus is there before you; on the threshold the angel announces His advent, and little by little, scene by scene, you are involved in the beauty and the tragedy of His life. You see Him transfigured (No. 6), you see Him buffeted (No. 7), you see Him rise from the tomb (No. 8), and you see Him in glory crowning Madonna (No. 9), or as a youth presented in the Temple (No. 11). Many times you come upon Him crucified (15-23), once John baptizes Him in Jordan (24), or Madonna and St. John the Divine weep over Him dead (26). Here He bears His Cross (28), there descends into Hades (31), preaches to the people (32), is betrayed by Judas (33), agonises in the Garden (34), gives us His Body to eat, His Blood to drink (35), is nailed to the Cross (36); crucified (37), and again adored as a Child by the Magi (38), speaks with Mary in the garden (1), is buried (2); the angel announces His birth (3), He is crucified (4), and born in Bethlehem (5). It is the rosary of Jesus that we tell, consisting of the glorious and sorrowful mysteries of His life and death. It is the spirit of Christianity that we see here, blossoming everywhere, haphazard like the wild flowers that are the armies of spring. As Benozzo Gozzoli has expressed with an immense good fortune, the very spirit of the Renaissance at its birth almost, the spirit and the joy of youth, so Angelico with as simple an eagerness and a more sure sincerity has expressed her
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