by the wily Cesare, who trusted that time would sow
among his rebel captains suspicion and dissension. He next made
overtures to the leaders separately, and so far succeeded in his
perfidious policy as to draw Vitellozzo Vitelli, Oliverotto da Fermo,
Paolo Orsini, and Francesco Orsini, Duke of Gravina, into his nets at
Sinigaglia. Under pretext of fair conference and equitable settlement
of disputed claims, he possessed himself of their persons, and had
them strangled--two upon December 31, and two upon January 18, 1503.
Of all Cesare's actions, this was the most splendid for its successful
combination of sagacity and policy in the hour of peril, of persuasive
diplomacy, and of ruthless decision when the time to strike his blow
arrived.

CORTONA

After leaving La Magione, the road descends upon the lake of
Thrasymene through oak-woods full of nightingales. The lake lay
basking, leaden-coloured, smooth and waveless, under a misty,
rain-charged, sun-irradiated sky. At Passignano, close beside its
shore, we stopped for mid-day. This is a little fishing village of
very poor people, who live entirely by labour on the waters. They
showed us huge eels coiled in tanks, and some fine specimens of the
silver carp--Reina del Lago. It was off one of the eels that we made
our lunch; and taken, as he was, alive from his cool lodging, he
furnished a series of dishes fit for a king.

Climbing the hill of Cortona seemed a quite interminable business. It
poured a deluge. Our horses were tired, and one lean donkey, who,
after much trouble, was produced from a farmhouse and yoked in front
of them, rendered but little assistance.

Next day we duly saw the Muse and Lamp in the Museo, the Fra
Angelicos, and all the Signorellis. One cannot help thinking that too
much fuss is made nowadays about works of art--running after them for
their own sakes, exaggerating their importance, and detaching them as
objects of study, instead of taking them with sympathy and
carelessness as pleasant or instructive adjuncts to our actual life.
Artists, historians of art, and critics are forced to isolate
pictures; and it is of profit to their souls to do so. But simple
folk, who have no aesthetic vocation, whether creative or critical,
suffer more than is good for them by compliance with mere fashion.
Sooner or later we shall return to the spirit of the ages which
produced these pictures, and which regarded them with less of an
industrious bewildermen