ousies with a stately calm and a sweet dignity of
demeanour, never condescending to accuse his relatives, never seeking
to retaliate, but acting always for the honour of his illustrious
house. In the same spirit of generosity he refused to enter into wordy
warfare with detractors and calumniators, sparing the reputation even
of his worst enemy when chance had placed him in his power. This
moderation both of speech and conduct was especially distinguished in
an age which tolerated the fierce invectives of Filelfo, and applauded
the vindictive courage of Cellini. To money Alberti showed a calm
indifference. He committed his property to his friends and shared with
them in common. Nor was he less careless about vulgar fame, spending
far more pains in the invention of machinery and the discovery of
laws, than in their publication to the world. His service was to
knowledge, not to glory. Self-control was another of his eminent
qualities. With the natural impetuosity of a large heart, and the
vivacity of a trained athlete, he yet never allowed himself to be
subdued by anger or by sensual impulses, but took pains to preserve
his character unstained and dignified before the eyes of men. A story
is told of him which may remind us of Goethe's determination to
overcome his giddiness. In his youth his head was singularly sensitive
to changes of temperature; but by gradual habituation he brought
himself at last to endure the extremes of heat and cold bareheaded. In
like manner he had a constitutional disgust for onions and honey; so
powerful, that the very sight of these things made him sick. Yet by
constantly viewing and touching what was disagreeable, he conquered
these dislikes; and proved that men have a complete mastery over what
is merely instinctive in their nature. His courage corresponded to his
splendid physical development. When a boy of fifteen, he severely
wounded himself in the foot. The gash had to be probed and then sewn
up. Alberti not only bore the pain of this operation without a groan,
but helped the surgeon with his own hands; and effected a cure of the
fever which succeeded by the solace of singing to his cithern. For
music he had a genius of the rarest order; and in painting he is said
to have achieved success. Nothing, however, remains of his work and
from what Vasari says of it, we may fairly conclude that he gave less
care to the execution of finished pictures, than to drawings
subsidiary to architectural and