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The Project Gutenberg EBook of The Bell in the Fog and Other Stories by Gertrude Atherton This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Bell in the Fog and Other Stories Author: Gertrude Atherton Release Date: December 4, 2004 [EBook #14256] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK BELL IN THE FOG *** Produced by Suzanne Shell, Andrea Ball and the Online Distributed Proofreading Team. [Illustration: GERTRUDE ATHERTON] The Bell in the Fog And Other Stories By Gertrude Atherton Author of "Rulers of Kings" "The Conqueror" etc. New York and London Harper & Brothers Publishers :: 1905 To The Master Henry James Contents I. THE BELL IN THE FOG II. THE STRIDING PLACE III. THE DEAD AND THE COUNTESS IV. THE GREATEST GOOD OF THE GREATEST NUMBER V. A MONARCH OF A SMALL SURVEY VI. THE TRAGEDY OF A SNOB VII. CROWNED WITH ONE CREST VIII. DEATH AND THE WOMAN IX. A PROLOGUE (TO AN UNWRITTEN PLAY) X. TALBOT OF URSULA I The Bell in the Fog I The great author had realized one of the dreams of his ambitious youth, the possession of an ancestral hall in England. It was not so much the good American's reverence for ancestors that inspired the longing to consort with the ghosts of an ancient line, as artistic appreciation of the mellowness, the dignity, the aristocratic aloofness of walls that have sheltered, and furniture that has embraced, generations and generations of the dead. To mere wealth, only his astute and incomparably modern brain yielded respect; his ego raised its goose-flesh at the sight of rooms furnished with a single check, conciliatory as the taste might be. The dumping of the old interiors of Europe into the glistening shells of the United States not only roused him almost to passionate protest, but offended his patriotism--which he classified among his unworked ideals. The average American was not an artist, therefore he had no excuse for even the affectation of cosmopolitanism. Heaven knew he was national enough in everything else, from his accent to his lack of repose; let his surroundings be in keeping. Orth had left
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