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The Project Gutenberg EBook of The International Weekly Miscellany, Volume I. No. 8, by Various This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The International Weekly Miscellany, Volume I. No. 8 Of Literature, Art, and Science, August 19, 1850 Author: Various Release Date: October 19, 2004 [EBook #13796] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE INTERNATIONAL WEEKLY *** Produced by Joshua Hutchinson, William Flis, the PG Online Distributed Proofreading Team, and Cornell University INTERNATIONAL WEEKLY MISCELLANY Of Literature, Art, and Science. * * * * * Vol. I. NEW YORK, AUGUST 19, 1850. No. 8. * * * * * THE THEATER IN RUSSIA AND POLAND. The following interesting sketch of the Drama in the empire of the Czar is translated for the _International_ from the Leipzig _Grenzboten_. The facts it states are not only new to most readers, but throw incidentally a good deal of light on the condition of that vast empire, and the state of its population in respect of literature and art in general: * * * * * The dramatic taste of a people, the strength of its productive faculty, the gradual development of its most popular sphere of art, the theater, contain the key to phases of its character which cannot always be recognized with the same exactness from other parts of its history. The tendencies and disposition of the mass come out very plainly in their relations to dramatic art, and from the audience of an evening at a theater some inference may be drawn as to the whole political scope of the nation. In truth, however, this requires penetration as well as cautious judgment. In the middle of the last century there were in the kingdom of Poland, beside the royal art institutions at Warsaw, four strong dramatic companies, of genuine Polish stamp, which gave performances in the most fashionable cities. Two of them were so excellent that they often had the honor to play before the court. The peculiarity of these companies was that they never performed foreign works, but literally only their own. The managers were either th
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