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ts about which information may be received, particularly if they are a little off the beaten track. Reward will often come in the shape of valuable discoveries, of which many remain to be made. Cilicia in particular has been imperfectly explored, and interesting monuments and inscriptions, particularly Hittite, may be found there. 2. Pottery Fabrics. It is not yet possible to describe fully or accurately the succession of styles, or even to assign all known fabrics to their proper periods. For this reason, even the most fragmentary specimens are of interest, provided only that: (1) the outer surface is fairly well preserved, (2) the place of discovery is known. All fragments showing a rim or spout, handles or part of a base, should be preserved until they can be compared with a more perfect specimen. The following fabrics, however, are widely distributed, and usually seem to have flourished in the order in which they are here described: A. Hand-made wares, rough within, but smooth or burnished surface, self- coloured (drab or brown), or intentionally coloured black (by charred matter in the clay, or by a smoky fire), or red (by a clear fire, sometimes aided by a wash or 'slip' of more ferruginous clay). Sometimes a black ware is 'overfired' to an ashy grey. In such wares ornament is rare, and consists mainly of (a) incised dots, dashes, or lines, in simple rectilinear patterns (chevrons, zigzags, lozenges), often enhanced by a white chalky filling (V, Figs 5- 8); (b) ridges or bosses modelled in the clay surface, or adhering to it. The forms are plump and globular, often round-bottomed or standing on short feet. Rims are absent or ill-developed; necks actually prolonged into trough-spouts or long beaks; handles are very simple and short. Vases are sometimes modelled like animals, or have human faces or breasts (V, Figs. 1-4). These wares begin in the Stone Age, and seem to predominate in the early and middle Bronze Age. Locally they may have lasted even later, but the use of the potter's wheel spread rapidly in the early Bronze Age. B. Hand-made wares of light-coloured clay, with painted decoration, usually in black or reddish-brown. The paint is generally without glaze, but sometimes is decayed and easily washes off. The forms and ornaments resemble those of class A, but are less rude and more varied. Distinct rims and standing-bases appear, and spouts give place to a pinched lip. C.
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