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had the consolation of finding him calm, trusting, and more prepared for his end than I was. He tranquilly rehearsed to me what would be the process of his dying, what I was to do, and how I was to _bear it_. He was even minute in his details, evidently rejoicing that his death was at hand. In all he then uttered he breathed a simple, Christian spirit; indeed, I always think that he died a Christian, that "Mercy" was trembling on his dying lips, and that his tortured soul was received by those Blessed Hands which could alone welcome it.[A] [Footnote A: Whilst this was passing at Rome, another scene of the tragedy was enacting in London. The violence of the Tory party in attacking Keats had increased after his leaving England, but he had found able defenders, and amongst them Mr. John Scott, the editor of the "Champion," who published a powerful vindication of Keats, with a denunciation of the party-spirit of his critics. This led to a challenge from Mr. Scott to Mr. Lockhart, who was then one of the editors of "Blackwood." The challenge was shifted over to a Mr. Christie, and he and Mr. Scott fought at Chalk Farm, with the tragic result of the death of Keats's defender,--and this within a few days of the poet's death at Rome. The deplorable catastrophe was not without its compensations, for ever after there was a more chastened feeling in both parties.] After the death of Keats, my countrymen in Rome seemed to vie with one another in evincing the greatest kindness towards me. I found myself in the midst of persons who admired and encouraged my beautiful pursuit of painting, in which I was then indeed but a very poor student, but with my eyes opening and my soul awakening to a new region of Art, and beginning to feel the wings growing for artistic flights I had always been dreaming about. In all this, however, there was a solitary drawback: there were few Englishmen at Rome who knew Keats's works, and I could scarcely persuade any one to make the effort to read them, such was the prejudice against him as a poet; but when his gravestone was placed, with his own expressive line, "Here lies one whose name was writ in water," then a host started up, not of admirers, but of scoffers, and a silly jest was often repeated in my hearing, "Here lies one whose name was writ in water, and _his works in milk and water_"; and this I was condemned to hear for years repeated, as though it had been a pasquinade; but I should expla
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