She
herself began to talk about it. She confessed that if I were to ask
her for her hand she might not be able to refuse me, as she loved me
more than I believed (here as I am a living man I saw a warm blush
mounting to her neck and brow), but she knew this would never happen;
sooner or later I would leave her with a light heart,--but what of
that? If she dipped her hand into the water and felt the refreshing
coolness, should she refuse herself this delight because the sun would
suck the cool moisture?
Saying this she bent over the gunwale, which showed her figure in
all its immaculate perfection, and after plunging her hands into the
water, she stretched them out to me moist and pink and gleaming in
the sunshine. I took hold of the hands, and she, as if echoing my
sensations, said in a caressing voice, "Come."
20 April.
I did not see Laura the whole of yesterday, as she was not well.
She had caught a chill sitting out late on the balcony, and it had
affected her teeth. What a nuisance! Fortunately the day before
yesterday a doctor arrived who is to remain in attendance upon Mr.
Davis; otherwise I should not have a soul to speak to. He is a young
Italian, small of stature, very dark, with an enormous head and very
sharp eyes. He seems very intelligent. It is evident that from the
very first he has grasped the situation, and found it very natural,
for without hesitation he addressed me as the master of the house. I
could not help laughing when he came this morning and asked me whether
he could see the countess so that he might prescribe for her. They
have some very quaint notions in this country. Usually, when a married
woman is suspected to belong to somebody else, the world is in arms to
hunt and run her down, often with thoughtless cruelty. Here, on the
contrary, they worship at the altar of love, and one and all take
sides with and plot for the lover. I told the doctor I would see
whether the countess would see him. I penetrated into Laura's sanctum.
She received me unwillingly, because her face is a little swollen, and
she did not wish me to see her in that state. And in truth her face
reminded me of my old drawing lessons. I noticed even then that with
a modern face one may commit inaccuracies, change this or that, and
provided the expression, the idea of the face remain intact, the
likeness will not suffer. It is quite a different thing drawing from
the antique; the slightest inaccuracy, the least deviat
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