FREE BOOKS

Author's List




PREV.   NEXT  
|<   181   182   183   184   185   186   187   188   189   190   191   192   193   194   195   196   197   198   199   200   201   202   203   204   205  
206   207   208   209   210   211   212   213   214   215   216   217   218   219   220   221   222   223   224   225   226   227   228   229   230   >>   >|  
y the discontent of the Roman people, and to explain the satirical verses affixed to the palace gate, comparing the splendid and bloody reigns of Constantine and Nero. [28] [Footnote 21: In order to prove that the statue was erected by Constantine, and afterwards concealed by the malice of the Arians, Codinus very readily creates (p. 34) two witnesses, Hippolitus, and the younger Herodotus, to whose imaginary histories he appeals with unblushing confidence.] [Footnote 22: Zosimus (l. ii. p. 103) may be considered as our original. The ingenuity of the moderns, assisted by a few hints from the ancients, has illustrated and improved his obscure and imperfect narrative.] [Footnote 23: Philostorgius, l. ii. c. 4. Zosimus (l. ii. p. 104, 116) imputes to Constantine the death of two wives, of the innocent Fausta, and of an adulteress, who was the mother of his three successors. According to Jerom, three or four years elapsed between the death of Crispus and that of Fausta. The elder Victor is prudently silent.] [Footnote 24: If Fausta was put to death, it is reasonable to believe that the private apartments of the palace were the scene of her execution. The orator Chrysostom indulges his fancy by exposing the naked desert mountain to be devoured by wild beasts.] [Footnote 25: Julian. Orat. i. He seems to call her the mother of Crispus. She might assume that title by adoption. At least, she was not considered as his mortal enemy. Julian compares the fortune of Fausta with that of Parysatis, the Persian queen. A Roman would have more naturally recollected the second Agrippina: Et moi, qui sur le trone ai suivi mes ancetres: Moi, fille, femme,soeur, et mere de vos maitres.] [Footnote 26: Monod. in Constantin. Jun. c. 4, ad Calcem Eutrop. edit. Havercamp. The orator styles her the most divine and pious of queens.] [Footnote 26a: Manso (Leben Constantins, p. 65) treats this inference o: Gibbon, and the authorities to which he appeals, with too much contempt, considering the general scantiness of proof on this curious question.--M.] [Footnote 27: Interfecit numerosos amicos. Eutrop. xx. 6.] [Footnote 28: Saturni aurea saecula quis requirat? Sunt haec gemmea, sed Neroniana. Sidon. Apollinar. v. 8. ----It is somewhat singular that these satirical lines should be attributed, not to an obscure libeller, or a disappointed patriot, but to Ablavius, prime minister and favorite of the emperor. We may now perc
PREV.   NEXT  
|<   181   182   183   184   185   186   187   188   189   190   191   192   193   194   195   196   197   198   199   200   201   202   203   204   205  
206   207   208   209   210   211   212   213   214   215   216   217   218   219   220   221   222   223   224   225   226   227   228   229   230   >>   >|  



Top keywords:

Footnote

 

Fausta

 

Constantine

 

satirical

 
considered
 
palace
 

orator

 

appeals

 

Eutrop

 

Crispus


mother

 

obscure

 

Zosimus

 

Julian

 

styles

 

divine

 

Havercamp

 
Parysatis
 

recollected

 

fortune


Agrippina
 
Calcem
 

queens

 

naturally

 

ancetres

 

maitres

 

Constantin

 
Persian
 

contempt

 

singular


Apollinar

 
gemmea
 

Neroniana

 
favorite
 

minister

 

emperor

 
Ablavius
 
libeller
 

attributed

 

disappointed


patriot

 

requirat

 

compares

 

scantiness

 

general

 

authorities

 
treats
 

inference

 
Gibbon
 

Saturni