ht dissolved away, and
she was soon so importunate to have me give an exhibition and kill
somebody, that the thing grew to be embarrassing. However, to my
relief she was presently interrupted by the call to prayers. I will
say this much for the nobility: that, tyrannical, murderous,
rapacious, and morally rotten as they were, they were deeply and
enthusiastically religious. Nothing could divert them from the
regular and faithful performance of the pieties enjoined by the
Church. More than once I had seen a noble who had gotten his
enemy at a disadvantage, stop to pray before cutting his throat;
more than once I had seen a noble, after ambushing and despatching
his enemy, retire to the nearest wayside shrine and humbly give
thanks, without even waiting to rob the body. There was to be
nothing finer or sweeter in the life of even Benvenuto Cellini,
that rough-hewn saint, ten centuries later. All the nobles of
Britain, with their families, attended divine service morning and
night daily, in their private chapels, and even the worst of them
had family worship five or six times a day besides. The credit
of this belonged entirely to the Church. Although I was no friend
to that Catholic Church, I was obliged to admit this. And often,
in spite of me, I found myself saying, "What would this country
be without the Church?"

After prayers we had dinner in a great banqueting hall which was
lighted by hundreds of grease-jets, and everything was as fine and
lavish and rudely splendid as might become the royal degree of the
hosts. At the head of the hall, on a dais, was the table of the
king, queen, and their son, Prince Uwaine. Stretching down the hall
from this, was the general table, on the floor. At this, above
the salt, sat the visiting nobles and the grown members of their
families, of both sexes,--the resident Court, in effect--sixty-one
persons; below the salt sat minor officers of the household, with
their principal subordinates: altogether a hundred and eighteen
persons sitting, and about as many liveried servants standing
behind their chairs, or serving in one capacity or another. It was
a very fine show. In a gallery a band with cymbals, horns, harps,
and other horrors, opened the proceedings with what seemed to be
the crude first-draft or original agony of the wail known to later
centuries as "In the Sweet Bye and Bye." It was new, and ought
to have been rehearsed a little more. For some reason or other