FREE BOOKS

Author's List




PREV.   NEXT  
|<   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132  
133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   154   155   156   157   >>   >|  
e him when the clock struck the hour. "May the First, 1837," says Professor MacMechan, "was a notable day. In the afternoon, Carlyle lectured at Almack's, and in the evening Macready produced young Mr. Browning's _Strafford_, for the first time, at Covent Garden. Hallam, of the _Middle Ages_,--'a broad, old, positive man, with laughing eyes,'--was chairman and brought the lecturer face to face with his first audience, the two hundred holders of guinea tickets. It was made up of the elements referred to in Spedding's letter. Learning, taste, nobility, family, wit, and beauty were all represented in that assembly; 'composed of mere quality and notabilities,' says Carlyle. It is easy to figure the scene; the men all clean-shaven, in the clumsy coats, high collars, and enormous neck-cloths of the period, the ladies, and there were naturally more ladies than men, following the vagaries of fashion in 'bishop' sleeves and the 'pretty church-and-state bonnets,' that seemed to Hunt at times, 'to think through all their ribbons.' We call that kind of bonnet 'coal-scuttle' now, but Maclise's portrait of Lady Morgan trying hers on before a glass justifies Hunt's epithet. The lecturer was the lean, wiry type of Scot, within an inch of six feet. In face, he was not the bearded, broken-down Carlyle of the Fry photograph, but the younger Carlyle of the Emerson portrait. Clean-shaven, as was then the fashion, the determination of the lower jaw lying bare, the thick black hair brushed carelessly and coming down on the bony, jutting forehead, violet-blue eyes, deep-set, and alert, the whole face shows the Scot and the peasant in every line. It was a striking face, the union of black hair, blue eyes, and, usually, ruddy color on the high cheek bones, 'as if painted ... at the plow's tail,' Lady Eastlake remarked, and she was an artist. Harriet Martineau remarks that he was as 'yellow as a guinea,' but this would be due to some temporary gastric disturbance. He was very nervous, as was most natural, and stood with downcast eyes, his fingers picking at the desk before him. At the beginning his speech was broken, and his throat was dry, drink as he would; but his desperate determination not to break down carried him through. The society people were 'very humane' to him, and the lecturer had a message for them; his matter was new, his manner was interesting; he knew his subject. The rugged Scottish accent came like a welcome draught of call
PREV.   NEXT  
|<   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132  
133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   154   155   156   157   >>   >|  



Top keywords:
Carlyle
 

lecturer

 

shaven

 

ladies

 

guinea

 

fashion

 
portrait
 
determination
 

broken

 
striking

bearded

 

peasant

 
brushed
 

carelessly

 

Emerson

 

forehead

 

violet

 

photograph

 
jutting
 
younger

coming

 

Martineau

 
carried
 
society
 

people

 

humane

 

desperate

 
beginning
 

speech

 

throat


message

 

accent

 

Scottish

 

draught

 
rugged
 

subject

 
matter
 

manner

 
interesting
 

picking


remarked

 

artist

 

Harriet

 
yellow
 

remarks

 

Eastlake

 

painted

 

natural

 

downcast

 
fingers