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e seeing those I loved, saved me. It was about six months after, on the 15th of July, 1814, that Catharine and I were married; Monsieur Goulden, who loved us as his own children, gave me half his business, and we lived together as happy as birds. Then the wars were ended; the allies gradually returned to their homes; the Emperor went to Elba, and King Louis XVIII. gave us a reasonable amount of liberty. Once more the sweet days of youth returned--the days of love, of labor, and of peace. The future was once more full of hope--of hope that every one, by good conduct and economy, would at some time attain a position in the world, win the esteem of good men, and raise his family without fear of being carried off by the conscription seven or eight years after. Monsieur Goulden, who was not too well satisfied at seeing the old kings and nobility return, thought, notwithstanding, that they had suffered enough in foreign lands to understand that they were not the only people in the world, and to respect our rights; he thought, too, that the Emperor Napoleon would have the good sense to remain quiet--but he was mistaken. The Bourbons returned with their old notions, and the Emperor only awaited the moment of vengeance. All this was to bring more miseries upon us, which I would willingly relate, if this story did not seem already long enough. But here let us rest. If people of sense tell me that I have done well in relating my campaign of 1813--that my story may show youth the vanity of military glory, and prove that no man can gain happiness save by peace, liberty, and labor--then I will take up my pen once more, and give you the story of Waterloo! End of the Project Gutenberg EBook of The Conscript, by Emile Erckmann and Alexandre Chatrian *** END OF THIS PROJECT GUTENBERG EBOOK THE CONSCRIPT *** ***** This file should be named 31288.txt or 31288.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/1/2/8/31288/ Produced by Al Haines Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part o
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