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compare with this story in two points--absolute conciseness of form and analysis of motive.... Here is a theme of vital truthfulness and Mr. Louis Zangwill has dealt with it with the hand of a master of form.... A Nineteenth Century Miracle. _Academy:_ As tantalizing a problem as was ever bound in cloth. _Pall Mall Gazette:_ As tangled a skein as ever the brain of Gaboriau evolved. _Daily Chronicle:_ We have seldom read a better piece of mystification. _Morning Leader:_ It would probably defy the most ingeniously imaginative reader to make in the course of the story even an approximate leap toward the heart of the miracle that Louis Zangwill has wrought for his astonishment. * * * * * CLEO THE MAGNIFICENT Or The Muse of the Real A Novel by LOUIS ZANGWILL Author of "The Beautiful Miss Brooke," "The World and a Man," Etc., Etc. New York: G. W. Dillingham Co., Publishers. London: Wm. Heinemann. MDCCCXCVIII. Entered according to Act of Congress, in the year 1897, by G. W. DILLINGHAM CO., In the office of the Librarian of Congress at Washington, D. C. _Cleo the Magnificent._ BOOK I. CLEO THE MAGNIFICENT CHAPTER I. It was past midnight, and both men were smoking leisurely by the study fireside. Morgan Druce sat just on the edge of a low chair, his long, slim body bent forward, his clean-shaven boyish face well within the glow of the fire. Though he appeared to be looking at it, he was only conscious of its warmth. Robert Ingram, middle-aged and bearded, lolled back in sensuous comfort. "The long and the short of it is," he resumed, "you've a soul-crisis on just at present. Crises are bad for the digestion, and I took care to grow out of them long ago." "Our temperaments are very different," said Morgan. "That's what makes your case so difficult to meet," returned Ingram. "It's your infernal temperament. One never knows how to take it. In fact, you're the sort of person in whose existence I never really believed; for though, as you know, I once had ideals and a literary conscience, I was always aware they would go as soon as I had a market for everything I could manufacture. You are the genuine incorruptible artist, to whom art is sacred. I really don't know whether to be doubtful of my cynicism or your sanity." "That my case _is_ a pretty bad one I've already admitted," put in Morgan. "Now, if you w
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