hilip Vinckboons, the elder, was born about 1550, became an associate
of the Gild of Painters in 1580, and died 1631. His son Maur, the
younger, born 1585, studied painting under his father, finishing under
his uncle Pierre Stevens. He died in 1647.
Pierre Stevens, born about 1550, was an historical painter and engraver,
as well as a portrait painter. This master latinized his name and signed
his works thus--P. Stephani. He died in 1604 at Prague, where he had
dwelt since 1590, under the patronage of the Emperor Rudolphe II.
Rombaut Van Avont, incorporated in the Gild of Saint Luke in 1581, was a
sculptor and painter as well as an illuminator of manuscripts on vellum.
He died in 1619. His son Pierre, born in 1599, was an excellent painter
of landscapes, which were distinguished by a most agreeable manner.
Admitted as a "franc maitre" at Antwerp, he became one of the burgesses
of that town in October, 1631.
Luc Franchoys, the elder, born January, 1574, was admitted to the Gild
in 1599. A painter of remarkable talent, he turned to historical
subjects, which he produced with great success. In drawing, too, he was
most skillful and correct. He died in 1693 and was buried with honors in
the church of St. Jean.
His son Pierre, born in 1606, became pupil of Gerard Seghers of Antwerp,
where he resided for some time. Afterward he lived in Paris, where his
works were eagerly sought and appreciated. He never married, but always
surrounded himself with young pupils to the time of his death in 1654.
His younger brother, Luc, was born 1616. He remained with his father,
working in his studio until he was admitted to the Gild, when he went to
Paris, where he painted portraits of members of the Court, enjoying
considerable renown and favor. He returned finally to Malines, where he
died in April, 1681.
Frans Hals (The Great), was born either here in Malines, or at Antwerp,
in 1584. Accounts differ. His parents were citizens of Malines, at any
rate. He had the honor and glory of introducing into Holland the
"procede magistral" of Rubens and his school. His works are too well
known to need description here. He established himself at Haarlem, where
he died in great poverty in 1666. Not even his burial place is now
known.
[Illustration: The Church of Our Lady of Hanswyk]
Jean le Saive of Namur, son of Le Saive the Elder, was born in the
commencement of the seventeenth century. He painted animals, landscapes,
and historical s
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