Martin, 189

Van Yleghem, Daniel, 183

Van Yper, Carel, 80

Vauban, 65

Verbeek, Francois, 186
" Hans, 186

Vereeke, 65, 70

Verhaegan, P.J., 150, 153

Verhoeven, Jean, 191
" Martin, 191

Verhulst, Pierre Antoine, 194

Ver Vloet, Jean, 195

Vinckboons, Maur, 184
" Philip, 189

Waghemans, family of, 20

Waterloo, the Battle of, 206

Willems, Marc, 187

William the First of Holland, 199, 201, 204

Ypres, the Beguinage, 82
the cathedral of, 69, 72
the Cloth Hall, 69, 73, 74, 75, 78, 80, 81
the Hotel de Ville, 73

Yser, the river, 55, 62

Zeelstman, 19

FOOTNOTES:

[1] Those who are interested in the subject are referred to C.
Lemonnier's "Histoire des Beaux Arts en Belgique" (Brussels, 1881), E.
Hessling's "La Sculpture Belge Contemporaire" (Berlin, 1903), Destree's
"Renaissance of Sculpture in Belgium," Crowe and Cavalcaselle's "Early
Flemish Painters" (1857).

[2] This passion play is described in detail in "Some Old Flemish
Towns." (Same author. Moffat, Yard & Co., New York, 1911.)

[3] See "Some Old Flemish Towns."

[4] The list is drawn in part from the "_Histoire de la Peinture et de
la Sculpture a Malines_," _par Emmanuel Neefs_--Gand, Van der Heeghen,
1876, translated from the manuscripts composed in Latin by the painter
Egide Joseph Smeyers, Malines, 1774.

[5] The author refers the reader to "The Constitution of Belgium," J.M.
Vincent, Phila., 1898; "Belgium and the Belgians," C. Scudamore, London,
1904; "History of Belgium," D.C. Boulger, London, 1900; "The Story of
Belgium," C. Smythe, London, 1902.

End of the Project Gutenberg EBook of Vanished towers and chimes of Flanders, by
George Wharton Edwards

*** END OF THIS PROJECT GUTENBERG EBOOK VANISHED TOWERS CHIMES OF FLANDERS ***

***** This file should be named 28288.txt or 28288.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/2/8/2/8/28288/

Produced by Greg Bergquist and The Online Distributed
Proofreading Team at http://www.pgdp.net

Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rule