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story of this kind was doubtless founded the legend handed down to us by Appuleius of Cupid and Psyche. Among its wildest versions are the Albanian "Schlangenkind" (Hahn, No. 100), a very similar Roumanian tale (Ausland 1857, No. 43, quoted by Benfey), the Wallachian Trandafiru (Schott, No. 23, in which the husband is a pumpkin (_Kuerbiss_) by day), and the second of the Servian tales of the Snake-Husband (Vuk Karajich, No. 10).] The snakes which figure in this weird story, the termination of which is so unusually tragic, bear a strong resemblance to the Indian Nagas, the inhabitants of Patala or the underground world, serpents which take at will the human shape and often mix with mortals. They may, also, be related to the mermen and mermaids of the sea-coasts, and to the similar beings with which, under various names, tradition peoples the lakes, and streams, and fountains of Europe. The South-Russian peasantry have from immemorial times maintained a firm belief in the existence of water-nymphs, called Rusalkas, closely resembling the Nereids of Modern Greece, the female Nixies of the North of Europe, and throughout the whole of Russia, at least in outlying districts, there still lingers a sort of cultus of certain male water-sprites who bear the name of Vodyanies, and who are almost identical with the beings who haunt the waters of various countries--such as the German _Nix_, the Swedish _Nek_, the Finnish _Naekke_, etc.[142] In the Skazkas we find frequent mention of beauteous maidens who usually live beneath the wave, but who can transform themselves into birds and fly wherever they please. We may perhaps be allowed to designate them by the well-known name of Swan-Maidens, though they do not always assume, together with their plumage-robes, the form of swans, but sometimes appear as geese, ducks, spoonbills, or aquatic birds of some other species. They are, for the most part, the daughters of the Morskoi Tsar, or Water King--a being who plays an important part in Slavonic popular fiction. He is of a somewhat shadowy form, and his functions are not very clearly defined, for the part he usually fills is sometimes allotted to Koshchei or to the Snake, but the stories generally represent him as a patriarchal monarch, living in subaqueous halls of light and splendor, whence he emerges at times to seize a human victim. It is generally a boy whom he gets into his
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