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ous factor his past and present have been and are, in the development and progress of our highest civilisation. Historically, we first meet him coming forth from the Arabian desert, a rude unlettered herdsman, in intelligence, cultivation, and morality far below the tribes among whom he is thrown. A terrible weapon arms him--a theism stern, hard, and pitiless, beyond, perhaps, all the world has ever seen. To the bravest and best of his race--a Moses and a Joshua, a Deborah and a Jephtha--this presents ruthless massacre, the vilest treachery, offering up a sacrifice the dearest and most loved, not as mere permissible acts, but as deeds of religious homage solemnly enjoined by his Most High. This theism has one central thought in which it practically stands alone, and which it was the aim of all its supposed heads and legislators to keep inviolate amid all surrounding antagonisms--the intense assertion of the Divine unity. "Hear, O Israel! the Lord thy God is _one_ Lord." In these brief words lies the very core of Judaism. So long as he holds fast by this central truth, the Jew is exhibited to us as practically omnipotent. Seas and floods divide before him; hosts numberless as the sands are scattered at his appearance; cyclopean walls fall prone at his trumpet-blast. And this thought of the Divine unity, thus intensely pervading the national life, upfolds within capacity of indefinite development. No long time in the life of a nation elapses ere "The Lord thy God is a jealous God, visiting the iniquity of the fathers upon the children," became "As a father pitieth his children, so the Lord pitieth them that fear Him." "Can a woman forget her sucking child, that she should not have compassion on the son of her womb? Yea, she _may_ forget; yet will not _I_ forget thee." In no sense of the word was the Jew a creature of imagination. The stern and hard realities of his life would seem to have crushed out every trace of the aesthetic element within him. Yet from among these people arose a literature, especially a hymnology, which has never been approached elsewhere; and it arose emphatically and distinctly out of the great central and animating thought of the Divine unity. To the Psalms so-called of David, the glorious outbursts of sacred song in their mythico-historical books, as in Isaiah {103} and some of the minor prophets, the finest of the Vedic or Orphic hymns or the Homeric ballads are cold and spiritle
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