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n, again, so many plays now are of the present day, and when the terribly expensive garment is procured it cannot be worn for more than that one play, and next season it is out of date. When the simplest fashionable gown costs $125, what must a ball gown with cloak, gloves, fan, slippers and all, come to? There was a time when the comic artists joked about "the $10 best hat for wives." The shop that carried $10 best hats to-day would be mobbed; $20 and $30 are quite ordinary prices now. So the young actress--unless she has some little means, aside from a salary, a father and mother to visit through the idle months and so eke that salary out--is bound to be tormented by the question of clothes; for she is human, and wants to look as well as those about her, and besides she knows the stage manager is not likely to seek out the poorest dresser for advancement when an opening occurs. Recently some actresses whose acknowledged ability as artists should, I think, have lifted them above such display, allowed their very charming pictures to appear in a public print, with these headings, "Miss B. in her $500 dinner dress"; "Miss R. in her $1000 cloak"; "Miss J. in her $200 tea gown," and then later there appeared elsewhere, "Miss M.'s $100 parasol." Now had these pictures been given to illustrate the surpassing grace or beauty or novelty of the gowns, the act might have appeared a gracious one, a sort of friendly "tip" on the newest things out; but those flaunting price tags lowered it all. In this period of prosperity a spirit of mad extravagance is abroad in the land. Luxuries have become necessities, fine feeling is blunted, consideration for others is forgotten. Those who published the figures and prices of their clothes were good women, as well as brilliant artists, who would be deeply pained if any act of theirs should fill some sister's heart with bitter envy and fatal emulation, being driven on to competition by the mistaken belief that the fine dresses had made the success of their owners. Oh, for a little moderation, a little consideration for the under girl, in the struggle for clothes! In old times of costume plays the manager furnished most of the wardrobe for the men (oh, lucky men!), who provided but their own tights and shoes; and judging from the extreme beauty and richness of the costumes of the New York plays of to-day, and the fact that a lady of exquisite taste designs wholesale, as one might say, all
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