n, again, so many plays now are of the present day, and when
the terribly expensive garment is procured it cannot be worn for more
than that one play, and next season it is out of date. When the simplest
fashionable gown costs $125, what must a ball gown with cloak, gloves,
fan, slippers and all, come to? There was a time when the comic artists
joked about "the $10 best hat for wives." The shop that carried $10 best
hats to-day would be mobbed; $20 and $30 are quite ordinary prices now.
So the young actress--unless she has some little means, aside from a
salary, a father and mother to visit through the idle months and so eke
that salary out--is bound to be tormented by the question of clothes;
for she is human, and wants to look as well as those about her, and
besides she knows the stage manager is not likely to seek out the
poorest dresser for advancement when an opening occurs.
Recently some actresses whose acknowledged ability as artists should, I
think, have lifted them above such display, allowed their very charming
pictures to appear in a public print, with these headings, "Miss B. in
her $500 dinner dress"; "Miss R. in her $1000 cloak"; "Miss J. in her
$200 tea gown," and then later there appeared elsewhere, "Miss M.'s $100
parasol."
Now had these pictures been given to illustrate the surpassing grace or
beauty or novelty of the gowns, the act might have appeared a gracious
one, a sort of friendly "tip" on the newest things out; but those
flaunting price tags lowered it all. In this period of prosperity a
spirit of mad extravagance is abroad in the land. Luxuries have become
necessities, fine feeling is blunted, consideration for others is
forgotten. Those who published the figures and prices of their clothes
were good women, as well as brilliant artists, who would be deeply
pained if any act of theirs should fill some sister's heart with bitter
envy and fatal emulation, being driven on to competition by the
mistaken belief that the fine dresses had made the success of their
owners. Oh, for a little moderation, a little consideration for the
under girl, in the struggle for clothes!
In old times of costume plays the manager furnished most of the wardrobe
for the men (oh, lucky men!), who provided but their own tights and
shoes; and judging from the extreme beauty and richness of the costumes
of the New York plays of to-day, and the fact that a lady of exquisite
taste designs wholesale, as one might say, all
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