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The earliest instance I can point to of the enthroned Virgin attended by both her parents, is by Vivarini (Acad. Venice): St. Anna is on the right of the throne; St. Joachim, in the act of reverently removing his cap, stands on the left; more in front is a group of Franciscan saints. The introduction of St. Anna into a Holy Family, as part of the domestic group, is very appropriate and graceful; but this of course admits, and indeed requires, a wholly different sentiment. The same remark applies to St. Joseph, who, in the earlier representations of the enthroned Virgin, is carefully excluded; he appears, I think, first in the Venetian pictures. There is an example in a splendid composition by Paul Veronese. (Acad. Venice.) The Virgin, on a lofty throne, holds the Child; both look down on the worshippers; St. Joseph is partly seen behind leaning on his crutch. Round the throne stand St. John the Baptist, St. Justina, as patroness of Venice, and St. George; St. Jerome is on the other side in deep meditation. A magnificent picture, quite sumptuous in colour and arrangement, and yet so solemn and so calm![1] [Footnote 1: There is another example by Paul Veronese, similar in character and treatment, in which St. John and St. Joseph are on the throne with the Virgin and child, and St. Catherine and St. Antony below.] The composition by Michael Angelo, styled a "Holy Family," is, though singular in treatment, certainly devotional in character, and an enthroned Virgin. She is seated in the centre, on a raised architectural seat, holding a book; the infant Christ slumbers,--books can teach him nothing, and to make him reading is unorthodox. In the background on one side, St. Joseph leans over a balustrade, as if in devout contemplation; a young St. John the Baptist leans on the other side. The grand, mannered, symmetrical treatment is very remarkable and characteristic. There are many engravings of this celebrated composition. In one of them, the book held by the Virgin bears on one side the text in Latin, "_Blessed art thou among women, and blessed is the fruit of thy womb._" On the opposite page, "_Blessed be God, who has regarded the low estate of his hand-maiden. For, behold, from henceforth all generations shall call me blessed._" While the young St. John is admitted into' such close companionship with the enthroned Madonna, his mother Elizabeth, so commonly and beautifully introduced into the Holy Families, is al
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