nish.[1]

[Footnote 1: Esterhazy Gal., Vienna. Mr. Stirling tells us that the
Franciscan friars of Valladolid possessed two pictures of the Virgin
by Mateo de Cerezo "in one of which she was represented sitting in a
cherry-tree and adored by St. Francis. This unusual throne may perhaps
have been introduced by Cerezo as a symbol of his own devout feelings,
his patronymic being the Castilian word for cherry-tree."--_Stirling's
Artists of Spain_, p. 1033. There are, however, many prints and
pictures of the Virgin and Child seated in a tree. It was one of the
fantastic conceptions of an unhealthy period of religion and art.]

5. The Virgin and Child enthroned. On the right of the Virgin, St.
John the Baptist and St. Zenobio, the two protectors of Florence. The
latter wears his episcopal cope richly embroidered with figures. On
the left stand St. Peter and St. Dominick, protectors of the company
for whom the picture was painted. In front kneel St. Jerome and St.
Francis. This picture was originally placed in San Marco, a church
belonging to the Dominicans.[1]

[Footnote 1: I saw and admired this fine and valuable picture in
the Rinuccini Palace at Florence in 1847; it was purchased for our
National Gallery in 1855.]

6. When the Virgin or the Child holds the Rosary, it is then a
_Madonna del Rosario_, and painted for the Dominicans. The Madonna by
Murillo, in the Dulwich Gallery, is an example. There is an instance
in which the Madonna and Child enthroned are distributing rosaries to
the worshippers, and attended by St. Dominick and St. Peter Martyr,
the two great saints of the Order. (Caravaggio, Belvedere Gal.,
Vienna.)

* * * * *

7. Very important in pictures is the Madonna as more particularly the
patroness of the Carmelites, under her well-known title of "Our Lady
of Mount Carmel," or _La Madonna del Carmine_. The members of this
Order received from Pope Honorius III. the privilege of styling
themselves the "Family of the Blessed Virgin," and their churches are
all dedicated to her under the title of _S. Maria del Carmine_. She
is generally represented holding the infant Christ, with her robe
outspread, and beneath its folds the Carmelite brethren and their
chief saints.[1] There is an example in a picture by Pordenone which
once belonged to Canova. (Acad. Venice.) The Madonna del Carmine is
also portrayed as distributing to her votaries small tablets on which
is a picture of hers