afterwards executed; and he thus coolly expressed his intention in
another of his letters:--"You write me word, that I'm out of favour with
a certain poet, whom I have admired for the disproportion of him and his
attributes. He is a rarity which I cannot but be fond of, as one would
be of a hog that could fiddle, or a singing owl. If he falls on me at
the blunt, which is his very good weapon in wit, I will forgive him if
you please; and _leave the repartee to black Will with a cudgel_."
In pursuance of this infamous resolution, Dryden, upon the night of the
18th December 1679, was waylaid by hired ruffians, and severely beaten,
as he passed through Rose-street, Covent-garden returning from Will's
Coffee-house to his own house in Gerrard-street. A reward of L50 was in
vain offered, in the London Gazette and other newspapers, for the
discovery of the perpetrators of this outrage.[20] The town was,
however, at no loss to pitch upon Rochester as the employer of the
bravoes, with whom the public suspicion joined the Duchess of
Portsmouth, equally concerned in the supposed affront thus avenged. In
our time, were a nobleman to have recourse to hired bravoes to avenge
his personal quarrel against any one, more especially a person holding
the rank of a gentleman, he might lay his account with being hunted out
of society. But in the age of Charles, the ancient high and chivalrous
sense of honour was esteemed Quixotic, and the civil war had left traces
of ferocity in the manners and sentiments of the people. Rencounters,
where the assailants took all advantages of number and weapons, were as
frequent, and held as honourable, as regular duels. Some of these
approached closely to assassination; as in the famous case of Sir John
Coventry, who was waylaid, and had his nose slit by some young men of
high rank, for a reflection upon the king's theatrical amours. This
occasioned the famous statute against maiming and wounding, called the
Coventry Act; an Act highly necessary, since so far did our ancestors'
ideas of manly forbearance differ from ours, that Killigrew introduces
the hero of one of his comedies, a cavalier, and the fine gentleman of
the piece, lying in wait for, and slashing the face of a poor courtezan,
who had cheated him.[21] It will certainly be admitted, that a man,
surprised in the dark and beaten by ruffians, loses no honour by such a
misfortune. But, if Dryden had received the same discipline from
Rochester's own
|